The Great Waltz (1972)

I've always loved the music of Johann Strauss. Years ago I drove to a small theater in South Milwaukee to see the 1938 MGM movie *The Great Waltz*, a schmaltzy but well-made concoction with the inimitable Meliza Korjus and the very aggravating Louise Reiner that was very loosely based on Strauss's life. Also years ago I bought a recording of the 1949 musical *The Great Waltz*, on which this movie is very loosely based. Like *The Song of Norway*, which had been a huge success on Broadway in 1944, mostly because of its elaborate dance numbers, "The Great Waltz" was a Robert Wright/George Forrest concoction that used music by the composer whose biography was more or less the subject of the show.I never saw that show, so I don't know how similar this 1972 movie is to it. What I do know, however, is that this movie is a lavishly staged disaster. The script, what there is of it, is all cliches. (The scene where Strauss comes up with the idea for *Tales from the Vienna Woods* is stolen, poorly, from the 1938 movie.) It is interrupted repeatedly for no clear reason by a series of elaborate but not very interesting dance numbers. (Imagine an unimaginative *Seven Brides for Seven Brothers*.) Worse still, most of the characters are not likable. Strauss Jr. comes off as an unfeeling womanizer, like his father before him. Strauss' wife isn't likable enough to earn our sympathies, even though he is not good to her.In short, there's really nothing to like in this movie other than Strauss's music, which is well performed, and the scenery and costumes. (Much of the movie was evidently filmed in Austria.) The 1938 *Great Waltz* is not a great movie and has more than its share of chiches, but it's still a lot more enjoyable than this sad remake.

As is the usual case with these type of pictures, the set decorations are absolutely opulent, but here the story line is interesting, but we've seen it so many times.The film chronicles the life of waltz king Johann Strauss, his competition with his father and his rise to fame once the latter dies suddenly.We also see the romance and eventual marriage to a diva, who was loved by a baron, in this film, nicely portrayed by Rosanna Brazzi.The singing and dancing are well staged and we see the film become more dramatic once the secret of his wife is revealed. Love conquers all is the general theme here.

After several requests, TCM aired the 1972 remake of The Great Waltz this past week. For fans of Strauss waltzes, history and Vienna, this movie will just hit the spot. "The world worships the original", but unlike the studio backlot photographed 1939 B&W version, the 1972 version was shot in PANAVISION and was the last film to be theatrically shown in CINERAMA. MGM went all out in using on-location photography throughout Austria and Vienna, including the Blue Danube river. Horst Bucholtz and Mary Costa did a terrific job in the leading roles, and it was a very enjoyable musical review of the struggle of father and son in leaving the world with their great compositions. I agree, the directing swayed between drama and comedy, but such is life. It is unfortunate this film has not been made available to it's fans and followers on DVD, or even digital download. Let's hope TCM and the Warners Archives Collection makes it possible for at least a made-on-demand DVD.

This movie failed on several levels, most importantly on not knowing what its audience would enjoy. It was a big budget movie, with great stars, and a plot based on a true story of ambition, jealousy, betrayal, pride, and great music - seemingly the ingredients for a terrific film. The story, while intriguing, was not directed in a style that fit either the lavish Austrian locales or the wonderful music of Johann Strauss. It was more of a musical in the style of Broadway, with the music treated that way. Hardly any of Strauss' waltzes were played in their entirety, the main exception being one sung by opera singer Mary Costa. In the movie, when the composer's greatest waltz was being debuted at a dance, the dancers all stood still and started swaying back and forth with the music rather than waltzing - totally unbelievable for a "Great Waltz"! This same scene was then interrupted by a non-Strauss sequence showing printing presses, with a song about how popular the composition became. The last half of the Strauss music was never presented.If the movie was aimed at people who wanted to hear Broadway-style songs, it was marketed wrongly as the story of light classical music, so that audience did not go to see it. If it was aimed at people who wanted to hear Strauss waltzes, it tantalized without satisfaction.It is no wonder that this big-budget potential blockbuster closed early in theaters, and has all but vanished from public memory, never even having been put on VHS or DVD.