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Goliath and the Dragon

Goliath and the Dragon (1960)

August. 12,1960
|
5.2
| Adventure Fantasy Action

A warrior returning home to his country must battle giant bats, three-headed dogs and a vicious dragon to save his wife, and his people, from the machinations of an evil ruler.

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Rainey Dawn
1960/08/12

The monsters alone make this film worth watching. Story is fun enough and it plays out well. Costuming, sets, props nice as usual - lavish. The cinematography, directing and editing are just as tolerable as any one of the other many 1960s peplum.I enjoyed this film as much as Hercules the Invincible (1964) - in-fact, I think I like this one a little bit better than "Invincible" due to the many monsters and the darkness of some of the scenes. They are comparable films and would be a great double feature together.The film is not great but I found it enjoyable, entertaining and that is all that really counts.6.5/10

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ma-cortes
1960/08/13

This myth-opera Peplum deals about Hercules , he finishes the seven works going to inferno in the center of earth , a hell plenty of craters , volcano , yellow fume and red foggy in gaudy colors and groundbreaking atmosphere . There he battles can Cerbero with various heads spitting fire and a flying monster similar a large bat (creatures made by Carlo Rambaldi : ET) . Later on , there takes place a palace intrigue with a tyrant named Euristeo (a scarface Broderick Crawford , in the U.S. version, it's not his voice, but a voice actor impersonating him) attempting to rule over the city of Tebas and our hero unhesitatingly goes into action and must use his strength to save his wife and son of a cruel torture with elephants ; plus , he confronts Zeus represented by a great sculpture . Here Hercules is married to Deianira (Leonora Ruffo) and has a rebel and angry son (Moretti) facing off his father , but he's impeded on relationship with Thea and even he's tied a tree by Hércules . Finally , it takes place an exciting final confrontation into a snakes pit .This muscle-man epic displays action , adventures , mythology, bizarre and luxurious scenarios and results to be quite amusing . The movie has not mythological accuracy , neither expectation historical . This film is listed among the 100 Most Enjoyably Bad Movies Ever Made in Golden Raspberry Awards . Stunningly cheap special effects like the shots and close-ups of a giant bear that's a man suited struggling against Hércules . Besides , it appears usual Eurotrash babes such as Wandisa Guisa and Leonora Ruffo and a habitual Spaghetti Western : Robert Hundar as a centaur . Mark Forest is good and strong playing the mythical hunk who finds several risks while attempting to defeat his enemies and fighting monsters and numerous odds . Forest played the hero in great number of movies and was randomly assigned the identity of Hércules , Goliath , Samsom for US version . Bouncing and robust Forest was a muscle-man who allegedly left the Gladiators genre for the Opera and he currently teaches in the L.A. zone . He was one along with the biggest chests like are Gordon Scott , Alan Steel , Reg Park , Ed Fury , Dan Vadis , all of them to seek fortune acting absurdly mythological figures but nobody topped Steve Reeves in popularity .This motion picture is an enjoyable sword and sandals story , being compellingly directed by Vittorio Cottafavi (1914-1998), he was a complete artist , painter and Peplum expert , as he directed : ¨Conquest of Atlántida¨ , ¨Legions of Cleopatra¨ , ¨Mesallina¨ and ¨Rebellion of gladiators¨ . Originally titled "Hercule's Revenge", but since Universal owned the rights to Hercules at the time, the title was changed and the name of the main character was changed to Goliath.

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MARIO GAUCI
1960/08/14

I had previously watched this in Italian during a pretty disastrous screening at the B-movie retrospective at the 2004 Venice Film Festival where the whole audience howled with laughter; in hindsight, I have to say that watching it on the big screen certainly magnifies its inherent faults tenfold. Actually, now that I've given it another look, it's not worse than most other peplums - though certainly not up to Cottafavi's best work, THE 100 HORSEMEN (1964) but his offbeat framing and vivid sense of color enlivens several sequences to be sure. For the record, Cottafavi also made that which is arguably the best Hercules film of all, HERCULES AND THE CAPTIVE WOMEN (1961), whose shortened US version (alas) has just been released on R1 DVD.Anyway, the plot kicks into action immediately as Mark Forest (playing the titular he-man, named Hercules in the original Italian-language version) goes to recover a diamond from a monster-infested cave which includes a hilarious large cat creature with bat wings which I clearly recall sending the Venice Film Festival audience in hysterics! The villain of the piece is Broderick Crawford who naturally chews up the scenery and approaches the role as if he were playing a gangster; at one point he even puts down his equally crooked, if actually brighter, henchman by calling him a "moron"...after which Crawford is apparently revitalized and inspired into devising newer and more ingenious traps to spring for Hercules...er...Goliath! The busy plot line, of course, involves several action set-pieces, court intrigues, much invoking of the Greek gods, women threatened with torture...and more laughable monsters (the dragon of the English title is so cheap that only its head ever makes any significant appearance). There is the usual coterie of maidens in these mythological epics who, thankfully, are very easy on the eyes here especially Leonora Ruffo (as Goliath's wife; she went on to repeat the role in Mario Bava's HERCLUES IN THE HAUNTED WORLD [1961]) and Gaby Andre' (as a duplicitous slave who also falls for Goliath).The version I watched this time around, via Alpha's DVD, was the AIP English-dubbed and rescored one (by the ubiquitous Les Baxter); surprisingly, it was a widescreen print - but the colors were way too much on the red side so that I had to tone down the colors on my TV set to make the whole thing viewable!P.S. Amusingly, my father and I attended a multi-part course on film appreciation some 10 years ago and when the lecturer mentioned such peplums in a positive light, my father, knowing the man to be a University professor, exclaimed loudly: "Don't tell me you appreciate that stuff?"

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PrincessAnanka
1960/08/15

Mark Forest, aka Lou Degni from the Bronx, made his movie debut in this colorful swords and sandals saga and became an overnight sensation. No one had ever seen muscles that big--or beautiful--with a body and a sensually beautiful face to go along with it. No, not even Steve Reeves could match Forest in this department. His torso is incredible. With the biggest pectorals and lats in the business and a justly famed ridged stomach. Although born in the Bronx, he became the most sought after physique model of the 50s and later won Mr. America and Mr. Universe. Everyone agreed it wasn't just his stupendous physique that made him a sensation. He had a smile and charisma to burn. This is captured in this film and he went on to make a string of highly successful muscle men features, the best of them, "Kindar the Invulnerable" and "Hercules versus the Mongols" and "Hercules versus the Barbarians." Forest left Italy at the peak of his career to return to America to study opera and performed all over Europe. Today, he still teaches voice and sings and works--surprise--as a personal trainer to a handful of lucky stars in Los Angeles.. Reeves may have been the king of Italy's muscle movies during the 60s but his prince was Mark Forest--perhaps the biggest and most fabulous of them all.

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