Story of a Cloistered Nun (1973)

Here's an Italian-Spanish-West German nunsploitation film based on the supposedly true story of Sister Agnes Carmela which follows her trials and tribulations after becoming a nun and the vice-ridden convent at which she stays. Truth be told, I'm not a big fan of the nunsploitation genre but STORY OF A CLOISTERED NUN is never boring as some of the films can be. Carmela certainly has an eventful stay at the nunnery, and her many obstacles and pains include being locked away in solitary confinement for thirty days; being whipped after leaving her room at night; unwanted advances from a lesbian sister; the murder of her lover; and her final pregnancy which leads to the convent being closed down and a new, unexpected life for the sister.While the usual genre trappings of sex and nudity are present, the film goes beyond that to offer a truly beautiful experience. The crisp photography is highly artistic and rewarding, the period music evocative and classy. The actresses are all selected for their good looks as well as their acting abilities. All of these factors make STORY OF A CLOISTERED NUN a film which is very easy on the eye. Eleonora Giorgi plays Carmela, the beautiful yet fragile woman who acts as the film's eyes and ears - after all, this is her story. Giallo veteran Suzy Kendall takes the role of the mother superior to make it memorably her own, while the film also carefully fleshes out the characters of the other nuns in the convent - the misguided lesbian friend, the spy, the "mad" nun who ends up killing herself, the childish newcomers. The themes in the story are adult and widely cover life, death, religious values, love, sex, and the human character to make for a rich experience. STORY OF A CLOISTERED NUN is a film which transcends genre boundaries to make for a watchable - and interesting - tale.

This film did not have the typical features of a usual nunsploitation film. Sure, it had nudity and a whipping, but the sex was all off camera.Eleonora Giorgi played Carmela, who was promised as an infant to unite two families. She fell in love with another and her father locked her away in a convent. Giorgi was really good in the role and made the film worth watching.Sister Elisabetta (Catherine Spaak) assisted her in meeting her lover while in the convent. Spaak was also very good. Unfortunataly, Sister's motives were not just to befriend Carmela; she was actually in love with her. Spurned, she took revenge.Also good was Suzy Kendall who played Mother Superior. She was also in love with Carmel, but never really expressed it.Just watching this film as a romance is worthwhile. You'll have to look elsewhere for real nunsploitation.

Nunsploitation has to be just about the most bizarre of all the exploitation variants, and usually these films are good fun to watch. Most of the nunsploitation that I've seen has been rather nasty, featuring brutal rapes as well as the token nudity. This one, however, bucks that trend; as while Domenico Paolella's Story of a Cloistered Nun features a good deal of nudity, lesbianism and general blaspheming; it certainly doesn't have the nasty edge of films such as Images in a Convent and The Killer Nun, and that's actually not a bad thing! The plot is "based on a true story", but that doesn't mean it isn't your usual nunsploitation fare. The story concerns a young girl who was supposed to marry a man from another family due to an 'arranged at birth' marriage, but she falls in love with another man. Naturally, her parents are none too pleased; and the girl is swiftly sent off to a convent where she is degraded and humiliated, and then becomes the object of a sexually repressed lesbian nun's desires.Considering that this is an obscure movie, made in Italy in 1973; the cinematography and production values are surprisingly good, and Story of a Cloistered Nun is actually not really a trash film at all. This is likely to annoy some viewers; and indeed, I do watch this sort of stuff mainly to see sex and violence, but I can't be too hard on the film as the director manages to keep things interesting throughout, and it's obvious that a lot of work went into it. The acting is largely good, with Suzy Kendall providing the highlight role as 'Mother Superior'. The fact that the film isn't very nasty certainly helps it when it comes to the lesbian plot as the fact that it isn't brutal or forced actually means that the film is more erotic than it otherwise might have been (NO disrespect to Images in a Convent, though). I wouldn't say that this film should be at the top of every nunsploitation fan's wishlist, but it provides something a little different from the norm and it definitely is a film worth seeing.

This is one of the earlier Italian "nunsploitation" films and as such may disappoint those expecting a Joe D'Amato style sex romp like "Images in a Convent" or the bloody satanic pandemonium of the later Jess Franco/Hispanic variety. It is also not nearly as gruelingly realistic and incendiary as "Flavia, the Heretic", probably the best of these films. It most resembles the two films before it--"The Nuns of St. Archangel" and "The Sinful Nuns of St. Valentines". These films don't quite make up a trilogy since they are all more or less the same. A young woman is confined to a convent after she refuses a marriage arranged by her strict father. There she finds herself caught between the kindly but strict Mother Superior and a libertine bisexual nun from an influential family who is able to obtain favors like drunken, naked parties and rendezvous with men on the outside. After the young nun becomes pregnant by her boyfriend a scandal erupts and all the nuns have to unite against a common enemy--the corrupt and brutal patriarchal authority.Although the story is pretty mind-numbing, this movie really works because of the acting. Suzie Kendall really manages to flesh out what is usually a pretty two dimensional Mother Superior role. Catherine Spaak is equally good as the wicked, libertine nun. Eleanora Giorgi plays the young novice, the role occupied by Ornella Muti and Jenny Tamburi in earlier movies, and she is more than adequate. And if you don't blink you might also see an early unclothed appearance by Paola Senatore who was later in "Images in a Convent" (and apparently hardcore Italian porn). There is some nudity, mostly by the beautiful Giorgi and the extras (Kendall, characteristically, and Spaak, quite uncharacteristically, both keep their habits on), but there is a general lack of the depravity fans have come to expect from this genre. There is one scene where Giorgi (half-naked, of course) is tied up and whipped, and a scene where Spaak is made to crawl across the floor licking it with her tongue--a striking if perhaps not really very erotic image.This is kind of tame but definitely worth watching, especially for nunsploitation fans and other demented perverts.