Drowning Ghost (2004)

Oh come on, this movie ain't bad at all. In fact, it's a slasher flick with an interesting plot, very good acting, a decent score, excellent cinematography, and good direction. Now, where could you find a slasher flick with those characteristics? This one is far better than most American slashers. It has some clichès but it's not as cynical as, for example, "I Still Know What You Did Last Summer", or "Scream". The main plot situation is believed to be the revenge of the drowning ghost but the main problem really is that someone is taking his identity for unknown reasons. Who is behind the murders? What does Rebecca's suicide have to do with the whole situation? Watch "Drowning Ghost" and witness that it isn't what it looks. It's more than just a simple slasher.I must admit that the best feature about the movie is the acting. Rebecka Hemse (Sara) delivers a solid performance. She's firm, brave, intelligent, and beautiful. That's my kind of woman! This girl seriously needs more important roles, she has the talents. The rest of the cats also deliver a good performance and do not make fools out of themselves like in many American slashers. Also, the visuals are great. The cinematography really helps to create the movie's atmosphere. This Swedish exteriors are great. "Drowning Ghost" may not be the best slasher film recently but it's a decent ghost story with slasher tones. I would recommend it for people who are not into violence or gore but still enjoy the slasher formula. This movie will keep you interested for it's plot, beautiful lead character, and some situations that are common in the life of a student.

The traditional Hellestad Boarding School is celebrating its centenary, and the students are planning a big party. However, there is a dark legend about a brutal murder of three students by a local farm a hundred years ago. The killer drowned in a lake nearby and his body has been not found. One year ago, the disturbed intern Rebecka (Sasa Bjurling) committed suicide during the anniversary speech of the arrogant dean, and her deranged father escaped from the mental institution where he was lodged. The student Sara (Rebecka Hence) is preparing a composition about the tragic legend, and finds new evidences compromising the name of a traditional local family and top contributor of Hellestad. Meanwhile, two new arrivals, Leo (Peter Eggers) and Felix (Jesper Salén), become close to Sara and her roommate Therese (Jenny Ulving), and students and staffs are vanishing in the place.My expectation with "Strandvaskaren" were the highest possible, based on the name of director Mikael Håfström. His cruel "Ondskan" (http://www.imdb.com/title/tt0338309/usercomments-45) is a stunning movie; indeed, it is a psychological study of violence taking place also in a boarding school. Unfortunately, the disappointing "Strandvaskaren" is nothing but a conventional slash movie, with no originality, and using the same clichés of many American productions. Anyway, I like this type of predictable movie as entertainment and my vote is six.Tiotle (Brazil): "A Maldição do Lago" ("The Curse of the Lake")

A student doing an essay on her boarding school's dark past, where three students where killed and the murderer was found dead in the lake over 100 years ago. Discovers a horrifically dark secret behind these murders and that off a recent suicide. The problem is that secret can have some big consequences on that of a respected student and his father who provides beneficial benefits to the school. While, Sarah is digging further into this mystery there's a killer on the loose knocking off people. During the hundredth anniversary of the murders a party is organised, but this night is when Sarah comes face to face with the killer.When I got to the ending credits I thought what a big waste of time I spent on this very lukewarm Swedish slasher. Other than the freely defined camera-work and glaringly grand location, nothing else hugely appeals or breaks any new ground. Simply it looks great, there's no denying that, but its has to have more then strong polished visuals to back it up with because it doesn't go anywhere that we haven't been before and the tangled up story aimlessly plods about. If you going make a slasher with a plot structure that we've seen over and over again, you might as well go out of your way to provide the big draw cards, instead it decided to wimp out and come up with a rather mercifully plain offering. The story is very familiar that it's just simply worn out in its supposed twists and it doesn't provide much in a way of suspense, so hopefully you would ask for some blood and T&A then, well sorry it cops out on those factors too.So what does it have going for it then! Well, actually the haunting opening scene with its pulsating score (that crops up at times) makes a better impression than it deserves. The performances are fine, if a little glum, although the characters are your standard stereotypes waiting for their chance to be killed off. Like I said the film's features are attractively glossed up. But in the things that mainly count in these films, all of that falls vapid. Please! Just add something in once in a while to make me sit up and pay notice in this drawn out fodder, because nothing, that is NOTHING (ah other then camera-work and location setting) is formidable and remotely enticing about what's happening. The deaths are incredibly lacklustre with most of it happening off the screen and when we did see one all we get was a puddle of blood in the most basic knockoff. Where was the atmosphere? Sadly with the countryside location and that of gloomy boarding school that has many poorly lit rooms, there was nothing generated to get your skin crawling and that's a sorely missed opportunity.The screenplay is handled in a wilted manner and the script tediously strings along its muddled back-story and the coincidences that make headway are all a bit too convenient. When things start to unravel you can't stop thinking of why didn't this come sooner, as pointless scenes cement themselves and the whole mystery becomes increasingly ragged with bits and pieces from other slasher flicks that aren't hard to pick up on. When it came to the sudden climax.. it had me thinking "was that it"!? Also the final scene was a bit puzzling in what it was trying to accomplish with the suggestion. The concept could've used some blatant energy to help with the stalk and slash moments too. Hence you know you're in for a jagged time when the murder scenes are even more boring than what's happening in between them.The film's production is well made and it might be a highly unoriginal slasher, but what killed it for me was that is was so dead flat and tame in its execution that it just moulders away without much of a spark.

A very well photographed Swedish horror fiasco, it features a creative range of camera angles and some wonderful camera movement, which keeps the film interesting on a visual level. Other than the camera-work, it is not at all extraordinary stuff. It has a formulaic story, a messy plot and run-of-the-mill characters. The acting is not much either, and is a bit overdone by some of the cast members. Just because it is Swedish does not make any difference - the film is still as trite as today's horror flicks from Hollywood that are marketed at the younger generation. However, the work of the cinematographer keeps the film from drowning.