Murder Obsession (2012)

For fans of Italian Horror, the name Riccardi Freda holds meaning. Not only did he mentor the late, great Mario Bava, but he also did some fine work within the genre of the fantastic. Horror films like "Tragic Ceremony" (which starred Camille Keaton), "The Ghost" (which starred Barbara Steele) and "Lust for a Vampire" (which was completed by Bava) are films that tend to get name checked when it comes to important titles in genre (well, the last two at least, though "Ceremony" itself is a fine film.) Not name checked often, but still entertaining is his last movie, 1981's "Murder Obsession." Michael Stanford (Stefano Patrizi) is having some problems. He recently almost killed an actress (Laura Gemser), and returning with his girlfriend Deborah (Silvia Dionisio) to visit his mother (Anita Strindberg) only brings back horrible memories about the death of his father. When more company follows, the guests start to have strange dreams involving things like very large spiders and occult rituals. Oh, and there's a black gloved killer on the loose."Murder Obsession" is an everything-but-the-kitchen-sink style movie. Throwing in all kinds of sub-genres (Giallo, Gothic, Supernatural) and clichés (fog drenched landscapes, eroticism, black gloved killers) into a story that ultimately doesn't make much sense, and has a few flaws to boot (the cheap looking gore kinda sticks out.) That out of the way, this is also pretty fun for the most part. Even before the killing starts to take place, Freda throws in all kinds of demented images (Debbie being felt up by a clearly fake large spider) and offbeat plot twists and turns to make sure you never lose your interest. This is a movie that, even if you don't like it, you'll never find yourself bored by the events taking place.Plus, the things that do work really stick out. Even is the effects aren't always up to muster, the kills are bloody enough to make you take notice. The score by Franco Mannino is mostly effective, with its blend of classical flourishes and electronic effects perfectly complimenting the events at hand. I even really liked the plot twist at the end, as it actually makes sense considering the events that have taken place, and the strange relationship Michael has with his mother (even though you know who the killer is before the film is halfway over.) Will "Murder Obsession" be considered a classic in the genre of Italian Horror? Probably not. Those who have a thing for out of the ordinary fare should definitely get a kick out of this movie. It might not be Freda's best movie, but it's a hell of a way to go out.

Caca Brute in Italian translates into "really stinky poop." This movie is a mess. It doesn't know what it wants to be, love story, giallo, thriller,soft core, etc. It might be that is was a joint Italian-French production that adds to it's dichotomy. I really found nothing in this film to recommend it to anyone interested in the Italian giallo genre or Freda's work in general. I was watching a fairly good print of the film and still found it extremely dark and/or poorly lit (so much so that I had to strain to make sure of whom I was seeing). The "plot" is threadbare and you can spot the killer almost from their introduction into the movie. The effects are shoddy, the dubbing is shoddy, even the music is shoddy. Skip this one. You really haven't missed a thing.

I would take some of the other reviews about this film with a pinch of salt - it's not that amazing and it's not that gory, at least in the version I saw under the title "The Wailing". I also suspect a bit of cheating must have occurred to get it the 5.8 rating.On to the film... It starts with some brilliant music, the sort you used to get in the early 80's horror films. This made me excited for what was to come, but sadly it seemed to go downhill from there. The problem with The Wailing is that it is confusing and the plot meanders too much. There's some dream sequences that go on for so long you forget they are actually dream sequences. Random scenes seem to be thrown together with no connection. There's also a serious lack of lighting, making it even harder to understand what is happening. It reminded me slightly of Lucio Fulci's "The Beyond" because of the meandering plot.It does have some good points though. As mentioned, the music is great and gives it a real horror 'feel'. However they used it too much; it almost plays through the entire film and gets tiresome after a while. The atmosphere is quite good, and had the plot been more coherent this could have been a really atmospheric horror flick.This really isn't worth seeking out unless you're a fan of Italian horror, even then you can still do much better. The UK VHS cover is cool though - I'll give it that.

Riccardo Freda is considered one of the maestros of Italian horror based on the strength of three films in the late 50's and early 60's--"I, Vampiri" (which we now know was mostly directed by Mario Bava), "The Horrible Dr. Hitchcock", and the sequel to the latter, "The Ghost". Unfortunately, everything he did after that pretty much ranges from awful to disappointing. This one falls more into the latter category.An actor nearly strangles his female co-star during the filming of the scene. Everyone seems strange unperturbed about this including the actress herself, who later has sex with him(of course, it helps that this character is played by Laura "Emanuelle" Gemser who pretty much has sex with everybody in her movies). They all repair to the troubled actor's eerie, decrepit estate complete with a creepy butler named Oliver and a mother who is "not well". Actually, she looks pretty good for someone who is supposedly the mother of a grown man and, not surprisingly, she has a close, Oedipal relationship with her son who looks EXACTLY like his musical conductor father, "the Maestro", who was mysteriously murdered years earlier (and you can pretty much bet it was by one of two people). The actor's girlfriend is also along for the ride and she suspects something is up between the two of them when the son introduces her to his a mother as his secretary and insists that they sleep in separate rooms. Meanwhile, someone is dispatching the various guests with the usual over-elaborate giallo methods--a bathtub drowning, a chainsaw, etc.Freda brings an interesting Gothic sensibility to the giallo genre here, even though his main focus is obviously on the gory murders. At least he is somewhat in his element, unlike with the abysmal "Iguana with a Tongue of Fire" he did earlier. The acting is awful and the special effects during the murder scene are laughable, but fans of Freda and Laura Gemser could do a lot worse I guess.