I Dream of Jeanie (1952)

This lightweight update of "Swanee River" (1939) is also in color, but lacks Al Jolson. "I Dream of Jeanie (with the Light Brown Hair)" is not only the title, but also introduces perky Eileen Christy (as Jeanie). She is the love interest of great American songwriter Stephen Foster (Bill Shirley), but he thinks he likes sister Muriel Lawrence (as Inez). Minstrel showman Ray Middleton (as Edwin P. Christy) is the man who helps turn Mr. Foster's songs into hits. Home studio Republic's Rex Allen joins in a partially embarrassing "black-face" sequence, by which time the movie has lost sight of its flimsy plot. It's tuneful, though.*** I Dream of Jeanie (6/4/52) Allan Dwan ~ Bill Shirley, Ray Middleton, Eileen Christy, Rex Allen

Just found out on this site that the man who portrays Stephen Foster here was the voice of the Prince in Disney's Sleeping Beauty and the singing voice of Freddie in Warner Bros.' My Fair Lady. I recognized two names in the cast credits: Louise Beavers, who I knew from Imitation of Life, portrays another Mammy role, the kind that she became known for and Carl "Alfalfa" Switzer (credited as Carl Dean Switzer) who portrays a different Freddie here (his character works at the same accounting office Foster works). Everyone else drew a blank though I also found out Rex Allan, who guests here in blackface, was also a narrator in films like the original movie versions of The Incredible Journey and Charlotte's Web. Mostly enjoyable musical despite the blackface number near the end that I just referred to. For that reason, more sensitive souls should proceed with caution. Made before the civil rights era came into full bloom.

I found a DVD of "I Dream Of Jeanie" in the $1.00 bin at Wal-Mart. When I saw that it was the "story of Stephen Foster", being a musician and music educator, I had to see it. I had no idea what year it was made for it did not say on the cover, just that it was a remake of 1939's "Sewanee River". Bill Shirley's portrayal of the composer is sometimes painful, sometimes laughable. The man has NO testosterone and is a wimp all the way through! I have a difficult time believing Stephen Foster thought music publishers were doing him a favor by publishing his songs...without paying him for them! In addition to that ridiculous notion, there is a nearly 20 minute segment of Ray Middleton and his black-faced "Christy Minstrels" performing Stephen Foster's songs that was difficult to watch, to say the least. I can hardly believe anyone would consider this movie appropriate to resurrect in our current time. It is an embarrassment and should remain forgotten. Fortunately, Stephen Foster's songs will NEVER be forgotten....also, Eileen Christy's portrayal of Jeanie was certainly the highest point in this lowest point of Hollywood history.

No, this ain't "The Stephen Foster Story." That's in Bardstown, Ky, a place that Stephen Foster never saw in his short and tragic life. Foster's real life was tragic and depressing and might make an interesting "All That Jazz" style film. But this ain't it. This is a razzle dazzle musical comedy with the music of Foster as an added plus.This is the kind of musical film that used to be common but are now long gone. It's an attempt by Republic Picures producer Herbert J. Yates to cash in on the success of MGM's 1951 hit "Showboat" but with the lowest budget possible. In view of that the film manages to look much more lush than it really is. Of course the use of the Foster song catalog didn't cost Repbulic anything. Surprisingly the color quality of the print the DVD I viewed was mastered from held up surprisingly well considering the obvious neglect it was subject to.The production has the feel of the composer bio pics MGM used to churn out during this era. You could easily recast the film in your imagination with Metro contract players from that time.Director Alan Dwan obviously had the expertise to make a cheap programmer like this look better than its budget should have allowed. The pic is almost set bound with few exteriors and limited interiors. But Dwan keeps the pace moving at a brisk clip with the musical numbers occurring so rapidly you have little time to think about the silliness of the plot.The songs have been given arrangements more suited to the 1950s and are not the reverential treatments that might be expected. They are instead bright Hollywood musical comedy numbers. These numbers were staged by associates trained by Nick Castle (I guess Republic couldn't afford Mr. Castle himself) and are brisk and lively. There has obviously been an attempt to integrate some of the songs into the action but if some of the cues and other proceedings seem laughable, well go ahead and laugh. It's all in fun, so enjoy it for what it is. The cast perform competently and seem to be enjoying themselves which helps to make the film more enjoyable to the viewer. Of course Ray Middleton, the original Broadway Frank Butler opposite Ethel Merman in "Annie Get Your Gun" almost steals the proceedings with his bombastic performance.The film was of course made in a more politically incorrect era. But it is not much more incorrect than ...say.."Holiday Inn'.The film is a perversely delightful relic of a by gone era and well worth the dollar the DVD sells for in many areas.