Boston Blackie Booked on Suspicion (1945)

I just chanced upon this Blackie episode without having seen others since I was very young. It is a cut above most of the series of its time. Chester Morris, not unlike his counterparts like William Powell, the Thin Man, had a sparkle that carried the series. He also has a set of quite funny sidekicks. In this one, a man creates a phony first edition of Dickens' "Pickwick Papers." It is auctioned off for more the 60,000 dollars and later discovered to be a fake. Blackie gets framed for the business. It's always interesting how a policeman like Detective Faraday can constantly assume that Blackie is responsible for every crime committed in the city. Even though he has apprehended numerous bad men. There is an interesting Femme Fatale in this one to keep things interesting. Pretty good work for Morris.

It's murder, this time, of which Boston Blackie is suspected—though, not surprisingly, Inspector Farraday never does get Blackie to the station to actually book him. Caught practically red-handed on a murder scene, Blackie has to resort to the old hiding-under-the-camera-hood gag, pretending he's the police photographer and backing slowly out of the room while the cops stand by watching. (Note to self to do some research: Did they still use those tripod cameras with the hood over the photographer's head in 1945?) The story involves a counterfeit first edition of Dickens' Pickwick Papers, with Blackie in disguise early on as an elderly whiskered book dealer. Chester Morris is his usual breezy Blackie self, with Richard Lane as Farraday as determined as ever to pin something on Blackie. Lynn Merrick and Steve Cochran seem more unstable and thus more frightening than many of Blackie's villains; they both give performances that are somewhat more serious than the good-natured bantering of Morris and Lane and the other regulars.Favorite scene: Farraday brushing off a gang of reporters by shouting, "I'm not Superman, I'm just a human being!" –and the reporters rushing out sarcastically shouting it as a scoop: "Oh-ho, he's not Superman!"

I have seen nearly every Boston Blackie film they've made and while I really like Chester Morris' title character, the films suffered much more from repetition than other B-movie detective series films. Some of this could have been because they made so many Blackie films--other than Charlie Chan, I can't think of another series of the era that had as many films. But sometimes it was just sloppy writing. While this is generally an enjoyable film, there were just too many similarities to other films--the black-face scene (which is very tacky, I know), Blackie being stuck in the chute and is trapped by the police between floors in the apartment building, and the idiot Inspector and his even more imbecilic assistant--it's all rehashed.Now how much you enjoy the film really depends on your familiarity with the series. If you are new to it, then it you'll no doubt enjoy it immensely (maybe even giving it a 7 or 8) but if you've seen many of them, there just isn't enough new and worthwhile about this pretty standard film. At least, however, the main plot idea of a forged valuable book IS new and interesting.

One of the more enjoyable Boston Blackie entries with CHESTER MORRIS disguising himself as a bookseller and getting mixed up in a murder case right under Inspector Farraday's eyes. The story centers around a counterfeit first edition of Charles Dickens' "The Pickwick Papers" sold for $50,000 at a book auction. LLOYD CORRIGAN is his usual bumbling self as Blackie's friend."I'm in trouble and I'm the only one who can get me out of it," says Blackie--and therein lies the nub of the plot. When Blackie turns up at the murder scene just as Inspector Farraday arrives, he has to spend the rest of the film eluding the police until he can pin the crime on the guilty ones. STEVE COCHRAN is Merrick's accomplice/husband.LYNN MERRICK is the pretty blonde bookseller who turns out to be not quite the helpful innocent she pretends to be. The story is more smoothly written than most of the Blackie films and moves at a fast clip at an hour and six minutes.Merrick makes an attractive femme lead and Cochran struts his tough guy stuff showing why it became his screen persona.Summing up: As a straight crime drama, it's not bad at all.