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Century Hotel

Century Hotel (2001)

October. 11,2001
|
5.9
|
R
| Drama Romance

David Weaver makes his feature debut with this omnibus film in which each tale is told during different points during the 20th century, but in the same hotel room -- room 720. The film opens during the swinging '20s when a beautiful young woman, married against her will to a brutish thug of a man, endures a tension-fraught honeymoon. During the Depression segment, a mail-order bride from China meets her husband for the first time. Following the end of WWII, a soldier returns home to meet his girlfriend and his best friend. During the paranoia of the 1950s, a professor searches for his wife. During the 1980s, a lawyer has too much sex and debt, and during the dawn of the millennium, a woman comes to a newly refurbished room 720 to meet her Internet lover. Such acclaimed Canadian actors as Tom McCamus, Sandrine Holt, and Colm Feore star in this film, which was screened at the 2001 Toronto Film Festival.

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TheVid
2001/10/11

These multiple vignettes all taking place in the same hotel room during the course of the last century are brief and engaging enough to keep you interested, but generally don't come together in any meaningful way. They all make a point, but ultimately only one works in bringing the overall framework of the picture to a satisfactory close. Amateurish writing nicely filmed.

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Raleon
2001/10/12

The sole reason that this movie isn't anything special is that it doesn't try to be. It's creative in the way it weaves the stories together but they're not tied together enough to be considered "Arty". It doesn't take itself seriously enough to be a real good drama either. If you compare this to something similar, like Le Violon Rouge, which took many stories and successfully combined them into one, you see the flaws. There are too many stories in Century Hotel, and they're chopped up which makes it harder to present. (I agree that this is the only way to present this movie but I think it works better with less stories) There is also very little significance among some of the stories; you could take out one and most likely wouldn't effect the main story. It would be a lot better if there was a connection with the stories told and the main story. It would be even better if there was real significance with that particular room, instead of the actions just happening in that room and not being connected. *******(Definite Spoilers)********* One thing everyone would notice is the sex- after all what else goes on in a hotel room? But it happens in every story except the last, and even then it is just a joke: you think that's what they're doing but the expectation is cut short. This could have worked better if there was either less stories or less of them contained sex. If just the three scenes before the last had sex in them, the joke could have worked. The main story is good too, but why were they going to do it? Why in that particular room? Just by chance? It should have been played out more clearly. ******end of spoilers********* But overall it's just a simple good-viewing flick, which is okay. But with an ensemble of great Canadian actors like there was in this movie you would think it would have been something bigger.

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guyb
2001/10/13

I'm a sucker for multiple story movies about people, especially if the mood is well directed and filmed. This movie really captured my interest until the ending. The endings of many of the stories were very confusing. The endings of others were pretty trite. Too bad.

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talkingmuffin
2001/10/14

I just saw this film last night at the Victoria Independent Film Festival and was very impressed. The intertwining stories of eroticism, death, betrayal, love and understanding were a feast for the eyes and the heart. David Weaver and Co. give a lesson in how to construct a beautiful movie on a limited budget with a minimum of location.The set design was impeccable. From the opulence of the turn of the century to the stark functionality of the recession era 80's the designers managed to capture the essence of each era in the furnishings and decorative aspects of the room.Less than convincing was Raine Maida's effort at the cliched emotionally unstable rock star recluse. I suppose my judgment is clouded by seeing the excellent portrayal of said cliche by Maury Chaykin in Whale Music. Also, the dialogue between Raine and Chantal was strained and really didn't fit into the stream of the rest of the movie.Of particular enjoyment were the scenes between the Hotel Detective and the Nerdy Book Lover. Their chemistry together was unmistakable. The simplistic dissection of the nature of love between a man and a woman gave me many a laugh.All in all, a highly recommended Canadian flick.9/10

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