Forty Shades of Blue (2005)

40 Shades of Blue is a good character drama. Shot with grainier resolution (digital hand-held maybe?), it's earthy as are it's characters. The main ones are an interesting mix, with a foreigner Dina Korzen playing a mixed up but seducing dyed blonde Russian - and the lead. She is tall, gaunt, and looks malnourishy-thin. Without going in too much of the story I also enjoyed Darren Burrows performance as a ticked-off son. One scene towards then end lifted the movie from a 6 to a 7. It was a particularly well done climactic scene between the above mentioned 2. Rip Torn as the father is loud, obnoxious, and almost an afterthought. Of course thats what helps build tension. The dysfunctionality of the family is surely lowly. Still there's a lot of beautifully shot sequences and some poignant dialogue. Worth a watch, if you don't mind a bit of a slow pacing.

interested to see the comments about boredom and apathy. for me, that's what makes it painful, on a certain scale worth exploring. those "hints" only of pathos, the withholding of basic human emotion, the absence of basic communication and some basic caretaking instincts (with the exception of somewhat successful attempts at sporadic parenting). i know from personal experience that a certain superficial world (alongside many gorgeous, fulfilling worlds) -- existing as it does around the very art that expresses the great suffering and joy of our culture (i.e., blues and other idioms) -- causes visceral pain if one tries to jump in, unaware and unprotected. viewers may feel that vulnerability and become quite disturbed. such a creative-world of superficiality, it seems, usually results from cumulative effect of chemicals (drugs, booze), money (denied... or accepted without feeling worthy or knowing what to do with it), or promises unfulfilled for artists and others around them who don't make it quite the way they planned. complicate that with a very distinct set of circumstances that worldly Russian female émigrés understand all too well, and there is no choice but to tell an insecure story in a wavy, unresolved way. i live in hope. always hope. but i thought the film was brilliant. its examples of every single nerve crying out for attention were succinct. i did not think the characters were unworthy of redemption, though i "liked" some more than others. redemption doesn't have to come in the movie. and god knows for some it never comes. i'm crazy about the terrific music. suffice it to say memphis blues + rip torn + an intelligent plot of unrelenting human drama equal a no brainer for me.

"Forty Shades of Blue" features Rip Torn as an acerbic, hard-drinking music producer in Memphis who, though greatly beloved by his fans and the people in the industry, is viewed somewhat differently by those who know him best. Despite his advanced age, he has a gorgeous live-in girlfriend, Laura (Dina Korzun), whom he met while on a business trip to Russia and, even though they seem to be reasonably devoted to one another and their relationship, Laura is becoming increasing morose as a result of his constant philandering. When Alan's married son, Michael (Darren E. Burrows) - who has reasons of his own for resenting the man - comes from California for a visit, he and Laura enter into a secret love affair that forces her to finally question her commitment to Alan and to perhaps cut the chords - both obligatory and emotional - that bind her to him.Although the script does an effective job capturing the tensions simmering just beneath the surface of the story, the plot itself seems too conventional and too underdeveloped to engage the viewer completely. Still the characters are complex enough and the performances sufficiently layered to at least hold our interest throughout. Torn is particularly good at creating a character whose amiability and likability on the surface mask a callousness and mean-spiritedness below.This is a subtle, if not exactly gripping, study of the compromises we make - and the choices we come to regret - in our effort to avoid loneliness and to find meaning and happiness in life.

As several other reviewers pointed out, the principle theme of this film was boredom without redemption, and that's precisely what the viewer experiences. However it does succeed in what seems to be its intent: to show the unrelenting misery and suffocating dullness of its main character's life. . . a good dose of intravenously administered sodium pentathol would have helped the viewer survive this. However, without the aid of drugs, the effect is one of acute claustrophobia and overwhelming apathy as it pertains to the development of the characters. Add to this the endlessly dismal and muddy camera work, and you end up with 107 minutes of wasted film stock. I saw this at the Film Forum here in NYC, famous for the patience of its audience, and for the first time in my memory at this venue viewers were walking out before the end. In one of the few seminal lines of this bomb, the Russian character Laura remarks with exasperation that "Americans are so Spoiled!" Indeed they are. That Ira Sachs was somehow able to obtain the money to produce and distribute this dreary nonsense masquerading as emotional insight was an extreme and unforgivable indulgence on the part of some misguided benefactor.