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Adam and Evelyne

Adam and Evelyne (1949)

December. 26,1949
|
6.2
| Drama Comedy Romance

The father of a girl in an orphanage, who doesn't remember him, has been writing to her with tales of his success in business. Actually, he is impersonating a friend, a handsome gambler. When the father dies, the gambler takes the girl from the orphanage and tells her the truth. But the girl is now a full-grown beauty and complications arise, including those provided by a black-sheep brother.

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jarrodmcdonald-1
1949/12/26

The men in this picture are gamblers and killers. They play dirty and resort to violence. The women who associate with them do not seem to be much better. But despite all this, the characters still manage to exhibit a proper manner of behaving (at least on the surface). In an ironic way, that serves to make this type of story work. Maybe, it is because such composure lends itself perfectly to spoofing the life of hardened criminals. And ultimately, that is exactly what this film seems to be: a sharp satire.It comes off rather smoothly, too, thanks to the wonderful chemistry of the two leads: Stewart Granger and Jean Simmons (married in real life). Check these two performers out in YOUNG BESS and in FOOTSTEPS IN THE FOG, entirely different productions that indicate if anything their tremendous range and talent.

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bkoganbing
1949/12/27

Adam And Evelyn is a strange, but charming film about a man who put his daughter in an orphanage and went off to war. Never having seen his daughter for reasons the script does not make clear, he impersonates a good friend from the army, a gambler with a way with the ladies.The gambler is Stewart Granger and the girl is Jean Simmons and this strange love story was concocted for the two of them who were in a hot and heavy affair at the time. What didn't work for Ronald Reagan and Shirley Temple in That Hagen Girl or for Herbert Marshall and Simone Simon in Girl's Dormitory does work here. I'm guessing the skill of the players or a better script or both. You decide if you watch the movie.Simmons leaves the orphanage and comes to live with Granger and the two become attracted. Of course at some point Granger has to disabuse of the notion he's really her father. And then when that happens people start talking. He's also been seeing on and off Helen Cherry who was Mrs. Trevor Howard in real life and she's not liking seeing Jean poaching on territory she staked out.Granger and Simmons went on to get married and make to more films for MGM in America. One of them, Young Bess casts her as young Queen Elizabeth I and Granger as Thomas Seymour the much older admiral who tried to take advantage of then Princess Elizabeth to further his ambitions. He and the whole family came to a sorry end. In a way Young Bess is a dark version of Adam And Evelyn.Not the best film for either of the stars, but their fans should like it.

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Star5
1949/12/28

I had been told to see this movie by a friend, if just for a sight of Stewart Granger with a moustache and I wasn't disappointed. Granger and Jean Simmons work beautifully together again, in this movie based on the concept of a young girl falling in love with an older man - and one she believes to begin with is her father!! Simmons is adorable as the young girl, whisked away from a life of labour and far more likeable in this role than any other. I loved the final scene between the two of them and the running joke that Granger looked better with his moustache after all! Not one to watch if you don't like continuous remakes of the 'old man, young girl' scenario, but in this case it works to perfection.

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david-254
1949/12/29

OK so this film does not break any new ground but its worth watching to see the effortless way the two principal actors (Jean Simmons and Stewart Granger) give an impressive performance overcoming the somewhat well worn themes dealt with in the script. Jean Simmons turns from a backward English schoolgirl of the 50's into a stunning deliciously irresistible asexual goddess which will leave all men with a revived faith in the female of the species, at least for a few minutes after watching the film.

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