Planet Outlaws (1953)

There's always a way to pull a buck out of the movie going public, and for those young boys who hadn't been around when the original Buck Rogers had come out, getting to see it probably on a Saturday afternoon was a thrill, especially if they went with their father who had seen each of the chapter plays as a kid. I have never seen the full serial and really don't have the time amongst my movie research to see all four hours of it, so this greatly edited version of it will do just fine. For a serial made more than 75 years ago, it holds up very well, with Buster Crabbe handsome and heroic as Buck. A survivor of a trapped dirigible, he wakes up from being frozen centuries later, he must catch up on modern (or futuristic) technology and shows he's got what it takes to remain a hero many moons later.I'd like to think that young people today could enjoy this for its imagination, but they have been greatly spoiled by the noisy sound effects and computer generated animation of today. Constance Moore is a fine female lead with Jackie Moran as Crabbe's equally heroic sidekick and Anthony Warde a wonderfully nefarious villain. A lot of the back story seems to be missing, as is Manu of the thrills of the original, but the choice bits have remained, making this simple and to the point.

Planet Outlaws was a science fiction movie that was cobbled together from material taken from a 1930's Buck Rogers serial. This was no doubt done because in the post-Atomic bomb Cold War years of the 50's science fiction was really popular. In fact, the film-makers have presented the story as an allegory against the evils of communism, with a dictator whose minions are turned into unthinking servile robots! But whatever the underlying message, this is an old-style action movie where the good guys are really good and the bad guys are complete rotters. There is no ambiguity at play here that's for sure.The film begins with a brief sequence to set the scene - a hot air balloon piloted by Buck Rogers and his buddy crashes and is buried in snow in the North Pole; they go into suspended animation and are awoke 500 years in the future where they immediately align themselves in a conflict between decent folks and a criminal overlord called Killer Kane.This would very possibly have seemed like quite an old fashioned film even in the early 50's. It was after all culled from material from a 30's serial. But they have tried to make it as relevant to the times as they could, however, editing a serial down to a 70 minute movie does present some problems. The result is a somewhat frantic movie with lots of big events dealt with very briefly; we have, for example, three trips to and from Saturn as opposed to one proper one. Buster Crabbe stars in the lead role and I suppose he has an uncomplicated clunky charm, if a little dull; his nemesis Killer Kane is not a very interesting villain either. It's unquestionably a very silly film indeed with some amusingly daft spaceships and costumes but it does have some decent sets and some quite impressive model work for the cityscapes. The incessant soundtrack in the background does become a little wearing though, as does the film overall to be honest. As all of these types of movies are, this one does have a time capsule appeal but it's excessive clunkiness makes it a little too tedious, despite the constant action.

This film is a condensed version of the 1939 serial starring Larry 'Buster' Crabbe as 'Buck Rogers'. I assume that when television came along, studios often edited down the serials into a movie-length version for viewing at home. I know they did that with one of Bela Lugosi's serials, "The Phantom Creeps". Unfortunately, this is NOT a super-successful idea, as the resulting film seems a bit choppy and episodic. Plus, by 1953, the special effects and stories of Buck Rogers seemed incredibly dated! In fact, you just have to see how incredibly awful the space ships are--they're so bad they are tough to describe in mere words--and you might find yourself laughing at it! As for the story, in many ways it's just "Flash Gordon" (also a Crabbe serial) all over again but with a few changes in the plot. Here with Buck Rogers, he arrives in the future instead of the present day like Flash Gordon. It seems that Rogers and his sidekick were in a dirigible accident and got frozen--and just happened to successfully unfreeze 500 years in the future. Oddly, despite having no idea about this ultra-modern world, Rogers magically could out-fly and out-do everyone of the 25th century!! What a guy! Once he's no longer in Popsicle form, he joins the resistance--a group trying to overthrow the gangsters running the planet. So, for help, Rogers and his pal try appealing to the residents of Saturn--and this backfires so badly, the Saturnians offer the gangster boss (Killer Kane) their help! Oooops! Will Buck manage to fix things or will his 'help' result in the complete obliteration of the opposition?! Tune in and see for yourself.Overall, the film is incredibly dated and manages to both be interesting as a curiosity AND dreadful and boring at the same time. I think the longer you watch it, the more dreadful it becomes, so in hindsight I think it might be good that they did distill the serial after all. A curiosity and interesting for some, but amazingly hard viewing otherwise.

This is one of four feature version attempts made from the serial 'Buck Rogers' (1939). This one, released in 1953, in addition to condensing the story down to a trim 69 minutes, has an added prologue and epilogue filmed that year. The prologue narrator suggests that as the submarine, airplane and atomic bomb were written about years before they actually became a reality, so too will the existence of flying saucers be proved in the near future. What a non sequiter! He makes reference to the science-fiction writer (it was Cleve Cartmill) who was investigated by the FBI which thought that he had used classified information to write about the A-bomb years before it was created.Supposedly, this is the prologue to the story of Killer Kane and his quest to rule the Earth. Cut to the condensed archival footage of the 'Buck Rogers' serial, with Buster Crabbe, Jackie Moran, Constance Moore, Anthony Warde and C. Montague Shaw. Not much derives from the original story or comic strip-- Buck (Buster Crabbe) and Buddy (Jackie Moran) go into suspended animation and wake up 500 years in the future, where they meet Lt. Wilma Deering (Constance Moore). That's it. Very quickly they take sides with Dr. Huer (C. Montague Shaw) and 'The Hidden City' in its war against the tyrant Killer Kane (Anthony Warde). For some reason, in order to win the war they need to form an alliance with the government of Saturn, so our trio of heroes wind up going there three times. The alliance is made; they storm Kane's city, and he is turned into a mindless robot. The continuity is pretty good in condensing the story, but as a result, in several scenes we see things going on in the background that are never explained since so much from too many chapters has been skipped.Travel to the far future was a common trope in science fiction from H. G. Wells on, and the emphasis was usually on the contrast or differences between our time and that of the future. Here, in Buck's new 25th Century, we get anti gravity belts (from the original story), terrestrial spaceships that double as interstellar ones, a high speed tunnel car, a mind control device, and a funny triangular space gun. The best part for me was the great art deco sets of Killer Kane's city.Killer Kane just doesn't make it as an evil tyrant, since about all he does is stand around berating his council members for their incompetence, except when he tries to put the Robot Battalion coffee pot on Buck Rogers (deleted from the feature versions). I had this same reaction when I watched the entire serial. Anthony Warde didn't have a menacing enough tone of voice, but had more of a high pitched yell. He was better in other serials where he was not the lead villain. The 1953 epilogue narrator warns us of the rise of any future Killer Kane (an obvious reference to Joseph Stalin of Russia), and facing the camera says, "God bless America!"We get a lot of music from Max Steiner's great score for 'The Bride of Frankenstein' (1935), Buster Crabbe's winning personality and cheerful take charge attitude, and the great deco and recycled 'Flash Gordon' sets. It's too bad that neither this nor the original serial is very good. Unfortunately this squeezed down version moves so quickly and does so little that I can only give it a 3.