State Secret (1950)

This is a wonderful film and well worth seeing; if you can find it! It used to be on TV all the time, but I haven't seen it in years and cannot find a copy. One very interesting fact about the movie is that it was, to the best of my knowledge, the first film to make use of Esperanto. In the film, all the citizens of the made up nation of Vosnia speak Esperanto! Esperanto was constructed in 1887 as a universal language, drawing words and structure from many different languages. The hope was that it would be adopted as an "everyman's language" and be equally difficult for all people to master. State Secret gives the viewer a chance to hear fluent Esperanto, as well as adding flavor to the underlying excitement of the plot.

1950 was a great year for films, but for some reason two fine ones came out that had the same plot line (with variations) set in two different parts of the world. These were CRISIS and STATE SECRET. CRISIS was set in Latin America, in a country run by a dictator and his cronies, similar to the Perons in Argentina. The dictator (Jose Ferrer) has a brain tumor, and when an American brain surgeon (Cary Grant) and his wife come to the country on a vacation, the dictator puts pressure on the brain surgeon to perform secret surgery on him. Grant also has pressure on him by the local revolutionaries (led by Gilbert Roland) to botch the operation.STATE SECRET was a British film starring Douglas Fairbanks Jr., Jack Hawkins, Glynnis Johns, and Herbert Lom. Vacationing in a Balkan state that is not totally Communist (read Yugoslavia), Fairbanks is pressured by the head of the Secret Service (Hawkins) into operating on the Genreralisimo (a type of elderly version of Tito) who is gravely ill. When, after an initial period where the patient is responding well to the operation, the dictator dies, Fairbanks realizes that his life is in danger (Hawkins can't have the death of the dictator revealed so early - there has to be a replacement ready in the wings). Fairbanks' adventures in fleeing (aided by Johns and Lom) are the basis of the plot.I find the sociological background to Latin American politics in CRISIS better than the Balkan background to STATE SECRET, but there are nice touches. Hawkins is a dangerous foe, but he is a man with an astute political brain. Lom (playing his normal villainous type: a blackmailing scoundrel) turns in a superb comic performance when he unwittingly stumbles on a secret he'd prefer never knowing at all. Fairbanks Jr. was always underrated as an actor, because too many critics saw him as trying to carry on the tradition of swashbuckling films his father made famous in the silent period. But he was better than that, and shows real, growing concern for Johns and her safety as the film continues.If possible try to see this and CRISIS together, to see which one is better. I bet you will find that an impossible choice. Enjoy them both.

The producers wrote films by Hitchcock and Carol Reed, and it shows. A lightweight suspenser, with the charm of impeccably urbane Fairbanks and that Paper Doll lady (surprisingly, Jack Hawkins lacks a light touch). Marvellously photographed by Robert Krasker-- how did he fit it in with The Third Man -- in the Dolomite Mountains (see contemporary report in Sight and Sound magazine). Little recognised, but this is cinematic st

Fairbanks, in his most natural style makes you believe he is a gifted surgeon. He is "kidnapped" by a country to perform a delicate operation on its leader. Things go wrong and, of course, Fairbanks is in danger of being killed to silence his knowledge. I viewed this film a a local theatre in Los Angeles as "State Secret" and later I could see that other writers "borrowed" many of the twists and turns for later productions. Herbert Lom has a nice part and clearly establishes his talent for future films. Jack Hawkins is at his menacing best. Although there are some cute things to laugh at, this film is not a comedy as stated on the cover page, but an exciting chase that keeps you on the edge of your seat.