Keep Your Powder Dry (1945)

"Keep Your Powder Dry" is an excellent wartime propaganda film. Now when I call it propaganda, that is not an insult--propaganda can be evil but it can also be very good. And, this is a good film in many ways because it draws attention to a group seldom talked about in pictures--the Women's Army Corps (WACS). In doing so, it bolsters the war effort and increases the public's support for these women in the military.When the film begins, you see some women joining the WACS. Valerie (Lana Turner) initially joins for selfish reasons...to enable her to get a hold of her inheritance. But soon Valerie buys into the WAC life and is a model soldier. Leigh (Laraine Day) is a daughter of a general and this is actually unfortunate because she thinks she knows everything...and, not surprisingly, she rubs her fellow recruits the wrong way...particularly Valerie. And then there is Ann (Susan Peters). Ann is friends with both of these women and tries her best throughout the film to bring them together for the good of the Army. The film follows them from boot camp, to their first assignment and then to Officer's Candidate School.I loved this film simply because it was so educational...yet also well written, interesting and quality production. One of the better wartime pictures...and one well worth seeing.

I recently saw this on TCM and had never seen it before. Director Edward Buzzell had a career in 30's and 40's films that were mostly actress driven romantic comedies before he made the leap to television in the early 50's. He also directed a couple of Marx Brothers movies. Here he is in his element directing three talented actress. Lana Turner is Val Parks, a playgirl heiress who is being forced to join the Women's Army Corp by her family before she can get her hands on any more of the family fortune. Larraine Day is Napoleon Rand, an army brat who knows the military rules book by heart and becomes a WAC to carry on a family tradition. Susan Peters is Annie Darrison, the wife of an army officer fighting in WWII. Parks and Rand instantly develop a dislike for each other and Darrison becomes the mediator as all three are assigned as mechanics in the same unit. What makes for believable on-screen tension between the Turner and Day characters is that they couldn't stand each other in real life. Day had billing over Turner in the only other film they appeared in, 1939's Calling Dr. Kildare when Turner was an upcoming starlet. By the time filming started on this movie in August of 1944 Turner was an established star and had billing above Day. Day was icy to Turner in 1939 and Turner returned the cold shoulder in 1944. Susan Peters is one of Hollywood's tragic figures. She lost her father in an accident as a young girl and never got over it. Her acting career got off to a rocky start and was dropped by Warner Brothers but MGM saw something promising and she had earned an Academy Award nomination for Random Harvest. A miscarriage kept her off the screen just when her career was at it's brightest and she returned to the screen for this film but less than two months after filming she was shot in a hunting accident and paralyzed from the waist down. She made an attempt in limited roles to keep acting on screen, stage and television but depression led to her divorcing her husband and becoming recluse and anorexia nervosa led to her death at age 31. The Cedric Gibbins MGM art direction team on this film features 8 time Oscar winner Edwin Willis as set director. Proliffic cinematographer Ray June is the films photographer but the soft focus closeups are so overboard they are almost laughable. Some corny, silly dialog and situations but actually it isn't too bad of a movie. A female version of a WWII buddy movie. Agnes Moorehead, Natalie Schafer and June Lockhart in supporting roles. It's worth a look and I would give it a 6.5 out of 10.

Loaded with lovely classic Lana WWII scenarios.I wonder how many young women went off to join the W.A.C. thinking Sydney Guilaroff would be doing their hair and Irene (I) their uniform wardrobe.We look at films like this as objects through which we can watch a moment in Hollywood time. Lana is simply delightful.I watch a film like this just for a glimpse of wartime America through the eyes of jaded and spoiled Hollywood elites who are piping this 'dream' to a still highly naïve wartime America.Watch for Mercury Theatre's -- also the character of Endora on Bewitched (1964)] -- Agnes Moorehead. I reckon that some would say that this glimpse of Moorehead is as fun as that of Lana Turner.

It is meant to be a comedy, but is only mildly amusing.It gives a glimpse of Natalie Schafer who later played Mrs Howell on Gilligan's Island - for those who interested.