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Redemption: For Robbing the Dead

Redemption: For Robbing the Dead (2011)

October. 16,2011
|
5.7
|
PG
| Western

For Robbing the Dead is a story of compassion - compassion toward those who may seem the least deserving of Christian love. It follows the story of Henry Heath, a law officer in 1862 Salt Lake City. Heath finds himself responsible for the well-being of a prisoner whom he despises - an impoverished French immigrant named Jean Baptiste who is convicted of robbing the graves of the recently deceased. Baptiste is exiled to Antelope Island in the Great Salt Lake. With no one willing to look after this man, Henry Heath becomes Baptiste's sole defense against the hostile isolation of Antelope Island and the contempt of an entire community. Through his somewhat reluctant service, Heath's heart softens and his own sorrows find relief.

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Reviews

LoneWolfArcher
2011/10/16

Unbelievable no one knows about this film. Very well done, great performances all around.However, John Freeman's performance was especially poignant. And to think he was such an inexperienced actor at the time. His performance was befitting and seasoned veteran. I look forward to seeing him in more films.Very intelligently done, I love how the direction of this film left so much to the viewer. This proves that great film doesn't have to show/explain everything. The violence was inferred yet not glorified nor shown in graphic detail. Thank you to the cast and crew for a truly incredible film. And as another reviewer pointed out, Barry Corbin continues to just be such a pleasure to watch. From Six Pack and Permanent Record to No Country For Old Men, Mr. Corbin always knocks it out of the park.

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moviehawg59
2011/10/17

(May contain a spoiler) To me, this was a very moving movie. All the folks in this town, are caught between a rock ... and a hard place. Sadly, most want to lash out, instead of try and forgive. And, they can't really be blamed. The acting was pretty good, with special nods to Kidder, Stevens, and Freeman. Stevens did excellent, as the centerpiece to the story. Kidder was pretty good, in her best role in years. And Freeman did a pretty good job with what he had to work with. To think of how we would react, under similar circumstances ... it gives a person quite a bit to think about. Most of us would probably be just like the townsfolk. But it all really boils down to ... can we forgive the hurt, and try to rise up and be something better? Or, do we succumb to the natural hurt and shock ... and not realize that, while criminals SHOULD be punished, there HAS to be a limit to the lengths that some would go to. Especially when the crime was not to the extent of, say ... perhaps a murder/murders.

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revbighig
2011/10/18

Just finished watching this movie at about 2:00 this morning. Despite the late hour and the approach of sleep, I had to check in here to see what the word was: three reviews. To be honest, I was surprised at how few people took the time to do more than punch in rating numbers. I was deeply moved by this story, and characters who seemed less like actors than real people from the period. Barry Corbin, long a favorite, was wonderful, as was Margot Kidder. Yes, it was generally slow moving, but oftentimes so is real life. Struggle, sadness and redemption don't come with explosions and car chases. And "westerns" needn't always come with blazing guns and fistfights. Moreover, most of us don't fall into categories of good or evil. Everyone in Redemption did what they thought was right, or at least necessary. I think these considerations will remain as images in my mind's eye for a long time. I liked, cared for and understood these people. They are us.

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tstomp
2011/10/19

Hmm. I'm not sure the film is about tumbleweeds, though that is a an interesting read. To say that the theological question is whether or not the victims of grave robbing go to heaven naked is as dismissive as it is inaccurate. This is no Ordet, but it's like saying that Ordet asks whether or not dead people can kiss. The film requires some patience and an attention span, but I found it rewarding. I didn't really identify with any theological themes, though I'm not a religious person. But I thought the ethical question was significant. Do we gain an increased understanding for those whom we're willing to help? I think it's interesting that the storytellers chose a notoriously violent genre to tell a story about forgiveness. I also think it's interesting that the violence is intentionally clumsy and not exactly satisfying. They're not the first to do it, nor did they do it better than Eastwood or Mann or Wyler or noteworthy others. But they did it more capably and intelligently than most. This is a fine film with stunning visuals, terrific performances, and a solid (though strangely quiet) soundtrack. Flaws? Of course. I'm not sure they're being honest about the budget, but if they made this on under a million, it's an even more impressive achievement. I know everyone's entitled to their opinion, but this is far better than a 5 star film (by the way, what goofball gave this film 0 stars? At least the person with the previous review clearly watched the film and rendered a sincere opinion!).

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