Rimfire (1949)

This is a good little western from Lippert studios, and I don't understand the low rating by IMDb reviewers. The film is a mystery story and is well-written, taut and compact, and in only 64 minutes. The cast, led by James Millican, does a uniformly good job, and there is nary a bad acting performance in sight from the supporting cast. One is taken aback by seeing suave, urbane Reed Hadley out in the scrubbrush, but it turns out he's the suave, urbane gambler in the story.Now, we're not talking MGM or Paramount here and so you have to consider economics, but production values are better than expected and there is a good deal of action during this just-over-an-hour affair. Overlook a couple of plot holes and a time-killing romance and you have an entertaining movie which has been unfairly neglected over the years. This was included in a DVD with "Little Big Horn", which is a better picture, but nevertheless, "Rimfire" is still a cut above.

With the name B. Reeves Eason in the credits as director, one would not be out of line expecting a fast-paced and action-packed adventure. Eason was widely known and respected for the machine-gun speed of his movies. But upon watching this film, which should be retitled "Misfire," one would not be out of line suspecting that Eason directed it while under anesthesia. James Millican, a not unlikable character player, gets to play the tough guy that all the saloon girls ogle, but he has neither the looks nor the charisma to carry off this kind of Western leading role. There are plenty of fine character actors in this movie, and the plot could conceivably have been used for a tense little programmer. Instead, this one moves like frozen molasses. The actors speak at half speed, the editing is at quarter speed, and there is very little to hold one's attention. The slowness of this movie must be seen to be believed, but please....trust me. It isn't worth that effort.

"Rimfire" is an almost forgotten little gem of a western. In fact, I hadn't heard of it until it's recent DVD release. It was produced by the Lippert Company and directed by the veteran B. Reeves Easton. Easton had been around films since 1915 and this was his final directorial effort. Running at a scant 63 minutes it boasts a fairly large cast of recognizable western players and contains an interesting story line.Tom Harvey (James Millican) foils a stagecoach holdup and comes into town and takes a job as a deputy sheriff. Heroine Polly Jordan (Mary Beth Hughes, who was on the coach turns out to be the niece of the town sheriff Jim Jordan (Victor Kilian). Harvey confides int the sheriff that he is in fact an under cover army officer in search of some stolen government bullion. Harvey and Polly meanwhile, become attracted to each other.Gambler, The Abilene Kid (Reed Hadley) who had also been on the coach, is falsely framed for cheating in a card game by saloon owner Barney Bernard (Ray Bennett) and his two henchmen Blazer (John Cason) and Toad (I. Stanford Jolley). Harvey believes in the Kid's innocence but is unable to prove it. In a trial Bernard and his two henchmen testify against him and Judge Gardner (George Cleveland) finds him guilty and sentences him to hang.Following the Kid's execution, several of the Kid's accusers begin to be murdered by a ghostly figure believed by some to be the ghost of the Kid. A playing card in sequential order is found at the scene of each murder leading all to believe that the Kid is somehow involved. Finally Harvey discovers the identity of the murderer and.............This was a rare opportunity for veteran character actor Millican to play the lead and romance the heroine. He had been around films since the early 1930s but is probably best remembered for his western roles (on both sides of the law) and for his distinctive speaking voice. His career was cut short by an early death in 1955 at the age of 45.Others in the cast include Fuzzy Knight and Chris-Pin Martin as the comic relief, Henry Hull as newspaper editor Nathanial (Horace??) Greeley, Glenn Strange as the stagecoach driver and Margia Dean as Lolita a saloon girl.Take a look at this one if you get the chance.

Ignored even when it was released this B western is akin to Audie Murphy's "No Name on the Bullet" as it is a different kind of western, actually a suspense/mystery in a western setting, not a horse opera at all. The cast is an ensemble of reliable character actors doing what they do.This one is probably lost for ever, but it is an example of what can be accomplished on a starvation budget when a little creativity is applied.IT'S THE WRITING, STUPID!