Big House, U.S.A (1955)

This pseudo-documentary style film failed to disguise the disjointedness of it's narrative. This case history of a crime begins in the great outdoors. It was filmed in Clorado Royal Gorge Park. A sick young boy with asthma runs away from camp after being scared by the nurse at the camp (a young Felicia Farr who made her feature debut with this film as Randy Farr) The boy is 'helped' by a strange man (Ralph Meeker) who then kidnaps him and proceeds to blackmail the boy's wealthy father.But then the the boy accidentally dies in a fall from a condemned forest lookout tower where the man had put him. It's a very disturbing scene as Meeker finds the dead boy and he remains ice cold and callously just throws the dead boy over a cliff of rocks below. And because the body id never found, Meeker can only be convicted on a extortion charge.The story then shifts gears entirely turning to prison drama which was filmed at the Cascabel Island facility. The plot now focuses on four cutthroat convicts: Broderick Crawford, William Talman, Lon Chaney Jr., and a young, super ripped muscle bound Charles Bronson. With the "extortionist" now called the "Ice Man" because of his stone cold stare and demeanor, is thrown in with them. A breakout is planned, of course, with their target the hidden $200,000 ransom money Meeker hid away before being arrested. The escape is successful but their is a falling-out among them and two gang members are killed. A gun battle ensues with the remaining gang and one more is killed and the remaining are arrested once again.All in all not a great film but what a great cast of convicts! Especially Bronson stood out. After his big breakout role opposite Alan Ladd in "Drum Beat" a year before, Bronson was relegated to the sort of supporting 'heavy' roles he had done so often before in this black-and-white supporting feature. As in "My Six Convicts", his tough physiognomy lends itself well to the inside of a prison. But director Howard W. Koch and scriptwriter John C. Higgins gave him the short end of the stick by killing Bronson off once the prison escape had been effected. His death is a grisly one also. Crawford orders Talman to use a blowtorch on Bronson's face and fingers to obliterate any means of identification in a effort to distract the police. All in all , I had never seen Bronson so 'cut' in muscularity. I bet that for the time , 1955, the was not a single body builder at that time with a ripped torso that Bronson presented in this film. Had he been competing , I bet he would have been winning like crazy. Bronson had muscles on top of muscles!I was so glad to finally see this film. What a great and tremendous cast. The characters were depicted very brutal as to anesthetized all sympathy and their savagery is minutely explored by the director Koch, in a manner that leaves one shocked yet disinterested. The melodrama provides a fair amount of entertainment, plenty of violence is featured throughout in some rather chilling scenes but it fits the tough characters involved with which the story deals. Meeker did a great job as a cold-blooded crook nicknamed "The Iceman" by Crawford. Talman , Chaney and especially Bronson made great members of Crawford's gang.

Loosely inspired by a real life case, this gritty little film documents the fate of a ne'er do well drifter who seizes the opportunity to make money off the disappearance of a wealthy child. Meeker plays the stoic (and uncomfortably good-looking) extortionist who locates a missing boy only to hole him up in a condemned ranger station while he attempts to milk $200,000 from the boy's panicked father Bouchey. Bouchey does everything he's told, in an effort to spare his sick wife from even knowing about the boy's ordeal, but it's all for naught when Meeker is caught, but the boy isn't retrieved. Meeker is convicted of extortion (not kidnapping!) and sent to the Big House where he's confronted with some unfriendly cellmates. Crawford is the burly ringleader, Chaney is the more sensitive, lunkheaded one, Bronson is an antagonistic muscle man and Talman is a skittish follower. All of them wish to escape and when they find out that Meeker has some ransom money hidden on the outside, they decide to drag him along with them so they can split it up! They bust out via a fairly elaborately constructed tunnel, but that's hardly the end of their problems. Meeker does a very solid job in a film with few, if any heroes. It's disconcerting for the viewer to see a nice-looking man resorting to some of the things he does here. Crawford, top-billed though he takes quite a while to show up, is savvy and ruthless (and, unfortunately, shows off far more chest that Meeker does!) Talman, infamous as the constant nemesis of "Perry Mason", and Chaney don't get a lot of screen time, but handle what they get effectively. Bronson is rock hard and frequently shirtless, revealing an impressive figure for 1955, a time when most men rarely worked out to that degree. Jack Lemmon's future wife, Farr, amusingly billed as "Randy", plays a nurse. Votrian portrays the little rich boy and it's not without amusement, though there's residual guilt in laughing at someone whose fate is so horrifying. He starts off with a persistent cough, intended to be an asthma attack and can't ever stop hacking UNTIL he has a line, during which he's perfectly fine! This occurs several times. He also has a jaw-dropping hysterical scene when Farr attempts to give him a shot. Saddled with an overbite and toothpick legs jutting out of the planet's shortest shorts, he's a gangly mess and is agonizingly annoying. Still, no one likes to think of any child receiving this type of treatment. This film should really have had a different title since only a small portion of it takes place behind bars. It's a startlingly brutal piece of movie-making for its time with a couple of really rough deaths including a bad fall, a broiling in a steam tank and a hammer to the head, followed by a face-roasting via a flame gun! The worst thing is the horrendous and almost completely unnecessary voice-over narration supplied by Hadley as an FBI agent. It's one of those terrible things in which the events depicted clearly on screen are described by a dry, stony voice when viewers simply could have watched it themselves. One great thing is the use of outdoor locations and the assemblage of interesting cast members. It's certainly worth the 83 minutes it takes to watch it!

This film is not the best of it's genre. It is like a low budget version of the 1950's Dragnet series. The cast is something else.Broderirck Crawford, William Talman, a young Charles Bronson, & Lon Chaney Jr make interesting cell mates in a maximum security island prison. When the Ice Man joins them, they hatch an escape plot involving his ransom money. Like Dragnet, in this movie, the police appear to be a lot smarter than the crooks/murderers/thieves.This could have been better but it is obvious that this is a low budget thriller. The acting talent only gets an average script to work with. While the film is based on fact, it does not quite rise to the level of a great film. For those who like the familiar faces it is OK. It is fictionally based upon a real incident. Only the names were changed to protect the guilty, or is that innocent? Actually, the story is good enough to involve the viewer, but it does not become a must see movie.

The film begins with a little boy getting lost while at summer camp. Ralph Meeker finds the boy and pretends to be helping him, but actually is intent on kidnapping him and holding him for a huge ransom. Unfortunately, the kid dies while in his care but Meeker is an animal and STILL proceeds to get the money and then tries to skip town. However, the cold and calculating killer is caught and sent to prison--but unfortunately, all they can prove is that he extorted the money--not that he had anything to do with the boy's disappearance.This is sort of like a prison movie merged with a Film Noir flick. That's because much of the beginning and ending of the film is set outside prison and its style throughout was rather Noir inspired--with a format much like an episode of DRAGNET (the bloodier 1950s version, not the late 60s incarnation). However, it did lack some of the great Noir camera-work and lighting as well as the cool Noir lingo--but it still succeeded in telling a great story. What was definitely Noir was the unrelentingly awful and brutal nature of the film--a plus for Noir fans. Now I hate violent and bloody films, but this one was a bit more restrained but still very shocking for a 1950s audience--featuring some of the most brutal plot elements of the decade (tossing a child's body off a cliff, burning a corpse with a blowtorch to confuse in the identification of another corpse and the scene with the escaped prisoner who is scalded to death). Because of all this, the film was above all else, realistic and shocking--much of it due to the excellent script, straight-forward acting and a few excellent and unexpected plot twists.By the way, this is one of the earliest films in which Charles Bronson appears with this name (previously, he'd been billed as "Charlie Buchinsky"). When he takes his shirt off in the film, take a look at how muscle-bound he was--I sure would have hated to have tangled with him!! In his prime, he might have been the most buff actor in Hollywood history who DIDN'T suck down steroids (and, consequently, had minuscule testicles from this drug).