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Raton Pass

Raton Pass (1951)

April. 07,1951
|
6.3
|
NR
| Western

Raton Pass is a curious western based on the rules of Community Property. Dennis Morgan and Patricia Neal portray a recently married husband and wife, each of whom owns half of a huge cattle ranch. Neal is a tad more ambitious than her husband, and with the help of a little legal chicanery she tries to obtain Morgan's half of the spread. He balks, so she hires a few gunslingers to press the issue. In a 1951 western, the greedy party usually came to a sorry end; Raton Pass adheres strictly to tradition.

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JohnHowardReid
1951/04/07

Dennis Morgan (Marc Challon), Patricia Neal (Ann), Steve Cochran (Cy Van Cleave), Scott Forbes (Prentice), Dorothy Hart (Lena Casamajor), Basil Ruysdael (Pierre), Louis Jean Heydt (Jim Ponzer), Roland Winters (Sheriff Perigord), James Burke (Hank), Elvira Curci (Tia), Carlos Conde (Germaine), John Crawford (Sam), Rodolpho Hoyos (Ben). Director: EDWIN L. MARIN. Screenwriters: Tom Blackburn, James R. Webb, based on the 1950 novel by Tom Blackburn. Film editor: Thomas Reilly. Cinematographer: Wilfrid M. Cline. Music composed by Max Steiner. Art director: Edward Carrere. Producer: Saul Elkins.Copyright 1 April 1951 (in notice: 1950) by Warner Brothers Pictures, Inc. New York opening at the Palace: 15 April 1951. U.S. release: 7 April 1951. U.K. release on the lower half of a double bill: November 1951. Australian release: 16 May 1952. 7,540 feet. 84 minutes.U.K. release title: CANYON PASS.SYNOPSIS: Odd twist for a western has Neal battling with her husband, Morgan, over ownership of their large ranch. Instigation for the feud comes when Morgan applies for a loan to build a new watering system, but Neal gets other ideas. She plans to take hold of the entire ranch by leaving Morgan, swinging investor Forbes onto her side, and marrying him. COMMENT: This one could be described as a family saga western. Fine music, photography and art direction help to offset a somewhat indifferent performance by Dennis Morgan, who seems a little out of his element in this dramatic setting. He usually did much more sanguine work in musicals and comedies. Edwin L. Marin's direction rates as little more than competently routine. Nonetheless, the plot introduces a few interestingly novel twists into the conventional western. Although it may not find favor with the fans, I really enjoyed this outing.

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smski
1951/04/08

The movie is vague in my mind because I saw it 55yrs ago when it debuted here in Raton, New Mexico. I remember it was exciting; this was for a five year old. The greatest excitement came from the city activities to commemorate the occasion. This included parades, dances and parties. My present day next door neighbor, a high school student at the time, danced with Dorothy Hart---a lifetime event for him.For the benefit of civic historical programs, I am trying to track down a copy of the movie. We are a small town trying to beat the doldrums that affect many small towns in America at this time. We are trying put together a film festival focused around "The Raton Pass" and the associated history of our area---the Santa Fe Trail. We have been through what seems to be all of the normal sources to find this movie. Can anyone help with a source?

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hildacrane
1951/04/09

I first saw this western many years ago on TV, and the wonderful villainy of several characters, as well as the sly music for them, stayed with me. Especially that of the Patricia Neal character. She insinuates herself to the accompaniment of a sultry tango-like Max Steiner theme, and seems to relish her every double cross. After decades, I saw the movie again, and that theme still tickles me. One wonders how Neal and Zachary Scott, another Warners player, and fine as a scheming scoundrel, would have worked together.Aside from Neal, Steve Cochran is a suitably conniving and lecherous counterpart, and quite an eyeful in his leather vest. Dolores Hart is quite good as the good girl. Dennis Morgan is a bit tired in this one. Fairly standard territory-squabble plotSee it for Pat and Max.

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alexandre michel liberman (tmwest)
1951/04/10

This film catches you off guard. It starts by showing how a wealthy rancher Marc Challon (Dennis Morgan) falls in love with Ann (Patricia Neal), a woman he just saw arriving on a stagecoach. It also shows that the family of Jim Ponzer hates the Challons because they are very small compared to them and are always getting the worst deal. The exception is Lena Casamajor (Dorothy Hart) who is in love with Marc. Marc proposes to Ann, they get married, and his father Pierre gives them as a wedding gift the joint ownership of the ranch. By that time you think this is a routine western, but then the unexpected occurs. Ann is very ambitious and she convinces Marc to try to get a loan to improve the ranch. He contacts Prentice who is willing to do so and falls in love with Ann. When Marc, coming back from a trip sees Ann in the arms of Prentice, they both propose to Marc to buy his part on the ranch. Marc eventually agrees, but he makes a plan to make Ann go broke. Ann hires a mean gunslinger Van Cleave (Steve Cochran), and then quite a war begins between the two sides. This western is very unusual considering the year it was released, it is much more violent then most of that time and also the change of character of Ann after she gets married is shocking., a good performance of Patricia Neal. In Brazil this film was known as "Escrava Da Cobiça" (Slave of Ambition)

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