The Proud Ones (1956)

A slightly above Average Fifties Western with Robert Ryan, Technicolor, and Cinemascope the main reasons to catch this rather uninvolving misfire. Things come alive now and then that propel the dreariness and flat handedness to an interesting level. For example, when the Marshall lectures the Town Counsel and says..."you'd sell out for a copper penny, with your $40 Boots and your $12 Hotel Rooms...I couldn't look in the mirror without vomiting". The Movie breaks toward the edge a few times with some taut gun-play and suspicious motives, but it also lingers and has some very uninspired moments. The target practice piece and some other wasted Screen time with the Love Interest, a Family Man, and Walter Brennan who just sort of sits around.The Script is also not very convincing with its Back Story, but this is worth a view if nothing much to make it stand out among its Betters. But is a notch above a Western Programmer or the plethora of others from the Decade that are much worse.

"The Proud Ones" (1956) is a town-Western where practically the entire story takes place within the confines of a Western town set, like "Rio Bravo," which came out three years later. At 94 minutes, "The Proud Ones" is more streamlined than the overlong "Rio Bravo," not that it makes it better (it doesn't).Robert Ryan plays the righteous sheriff in a thankless job, the beautiful Virginia Mayo is his babe, Robert Middleton plays the villainous saloon owner and Jeffrey Hunter the young buck who signs on as deputy at a dangerous time, even though the sheriff killed his father and the tensions thereof.This is a decent Western with Ryan shining in the main role, but it's hampered by some "yeah, right" dramatics. For instance, Hunter's macho posturing early on (which may be the writer's fault), his character's unnecessary rough handling of Sally while he's wounded in bed (Why sure!) (I think Hunter's a stud enough to get practically any woman he wants any time he wants without resorting to nigh forcible rape), and his stubborn refusal to see evidence that Chico pulled a gun after a shootout (it just doesn't ring true).Writing like this makes "The Proud Ones" seem more like a TV show than a theatrical film, but, then again, maybe that's just the lame way they wrote screenplays in the 50s, I don't know.Still, it's got a lot to make it worthwhile, particularly the strong cast.GRADE: C+

A cattle drive from Texas arrives at its destination in a town in Kansas. This sets off a wave of price gouging to take as much advantage as possible of the new business. Virginia Mayo runs a restaurant and Robert Middleton is set to open a new saloon. Marshall Robert Ryan comes face to face with the past in both Middleton and the cowboy son of a gunslinger (Jeffrey Hunter) who believes that Ryan gunned down his father in cold blood in the previous town he was a marshal in. The film is pretty good at showing the avariciousness of the merchants, who are willing to let law and order slide in order to profit from the business. Do they want law and order or wild and uncivilized profiteering led by the crooked Middleton and his gunslingers? It's a good question and the film could have been a whole lot better with a script that made more sense, especially for the beautiful Mayo, who's character is trapped in a stereotype.

Twentieth-Century-Fox was second only to Warner Bros. in rehashing the plot lines of its earlier films. "The Proud Ones" was made a mere four years after "Red Skies of Montana" - but the similarities between the films are only too obvious. The newer film even features the same star, Jeffrey Hunter. Not only that, "The Proud Ones" incorporates music cues that Sol Kaplan composed for "Red Skies of Montana." The story of the Cinemascope picture is bound to evoke deja vu: a young upstart seeks vengeance on an older man he believes is responsible for the death of his father. As the young man, Jeffrey Hunter deserves credit for lending credibility to a character whose actions are anything but credible. He did the same miraculous job in "Red Skies of Montana." If anyone thinks Hunter was just a pretty face, his subtle work in these films should prove he had much more to offer.The rest of the cast in "The Proud Ones" is also excellent, helping to make this one heck of a movie. Unlike its also good predecessor, this "remake" is a western. The genre was obviously chosen to make it seem different from the original. But make no mistake, the two movies are essentially the same. Watch them both and enjoy!