L.A. Takedown (1989)

Patrick McLaren leads a crew of professional thieves whose latest job is an armoured car robbery in Los Angeles. All goes according to plan until a recent recruit to his team shoots and kills one of the three guards. In the chaos that follows another guard fights back and knocks the mask of one of the gang before he is shot and killed; not wanting to leave anybody who can identify them the thieves kill the final guard. Afterwards the man responsible is kicked off the team and told to stay away from them.As soon a news breaks about the raid LAPD Sgt Vincent Hanna sets about trying to identify the team; eventually they get a lead and start tracking McLaren and his crew. They later realise they have been identified but decide to continue with their planned 'one last big job'. Before the job goes down Hanna confronts McLaren over a cup of coffee; it is clear that neither man intends to back down.This TV movie is famous as the 'film that was remade as 'Heat''; I won't be comparing them though as it is quite a while since I saw that film. This film is a lot better than might expect from a TV movie; the only real hints that this wasn't made for the cinema is the lack of swearing and a lower level of gore when characters are shot... something I'm sure many viewers will see as a plus. There is plenty of impressive action but really this is about the characters; specifically about Hanna and McLaren. Scott Plank and Alex McArthur impress in these roles. The supporting cast is pretty solid too. As one would expect from director Michael Mann there is lots of style and a great atmosphere. Overall I'd certainly recommend this film for fans of the genre; don't be put off by its 'TV movie' status.

this is a far better film than its rating suggests, in point of fact it is superior in many ways to the remake HEAT. The movie rests solely on the performances of the actors and the writer/director rather than on any star attractions or hype (pacino and De Nero have both made far better films and put in far better performances). There are a few good set pieces in here and a myriad of fine acting performances from both the leads and the supporting cast. The fact that the re-make was relatively faithful to the original is in itself a bit of a homage and where the two films really differ is in the action sequences that overtake the story in the remake, if you want to watch a more intelligent and somewhat darker crime thriller then I recommend this before HEAT every time this should be given the credit it deserves as it was pieces like this that have allowed Mann to make a lot of the mainstream pulp films he is famous for.

This is simply an awesome movie and I saw no reason to make a "remake" of this movie (HEAT). The original is great even though the remake is great to. This has been one of my favorites since it was released in 1989. The Coffey shop seen is just incredible. This is much better than HEAT, even though HEAT by itself is a great movie and has a very impressive shoot out seen. I do not understand why this movie didn't become a huge success and why lead actor Scott Plank didn't end up a star.BTW The Swedish title for this movie was "Made in LA"

I finally got a hold of a copy of this (deliberately?) forgotten made-for-TV film. A busted NBC pilot, it was remade by Michael Mann six years later with major studio backing and high-calibre star support. Gotta give Mann some credit,few filmmakers would have the gall to bother with such an effort. "Heat" is a scene-for-scene, frame-by-frame remake, so watching this was a lot of fun. LAT is sort of a scrappier kid brother version to the elegant, but soulless remake. Its far more frenzied/hyper. It has the look and feel of a William Friedkin film. (Mann has got the carreer Freidkin deserves) And it oozes with late 80s styles and fashion. The performances are fine, especially the two leads. At least they're more naturalistic and less self conscious than the DeNiro/Pacino team. Action wise, LAT holds out well to its bloated remake, including the bank shootout. This film even shows a little more concern for the "collateral damage" (i.e cops and civilians) than '95 version. Not a masterpiece, but a very good action flik with heart and moxie.