Zatoichi's Cane Sword (1967)

Zatoichi's Cane Sword is the fifteenth entry in the franchise about the clever gambler, blind masseur and skilled swordsman with a lowly yakuza background and I still can't get enough of this series with its authentic atmosphere bringing rural Japan of the mid-nineteenth century to life, with its unique lead character with a strong moral compass masterfully played by a credible Katsu Shintaro and the cool story lines involving conspiracies, greed, love, murder and redemption. As in many other films, Zatoichi comes across a dying boss who can only tell him his name. The blind masseur goes to the next town and stays in an old inn where he comes across the dead man's children. While the son is reluctant to take over his father's business, the daughter is determined to convince him and save their family's reputation. However, another boss named Iwagoro, supported by corrupt government official Inspector Kuwayama, wants to take over the dead man's business by any means necessary. Zatoichi tries to remain neutral in the conflict but when the dead man's son is brutally killed and the dead man's daughter lured away from the inn, Zatoichi decides to set things right. However, there is one big problem. The local blacksmith informs Zatoichi that his cane sword is about to break and that the blind masseur might only have one strike left before it snaps.As usual, there are many positive elements about this film. First of all, the characters are very nicely developed in this film. The drunk blacksmith that rediscovers his art, the determined daughter who never gives up, the reluctant son who wants to avoid conflicts, the pervert government official and the wicked boss are all intriguing characters. The fact that Zatoichi has to fight without his usual cane sword at times adds some tension to the film. The movie has a few interesting twists that keep the viewers interested until the very end. The final fight sequence at night and in the snow when both Zatoichi and his opponents use numerous tricks to fight each other is particularly well-choreographed. In addition to this, the movie includes a few brief yet refreshing humorous scenes such as Zatoichi performing a chant and dance to make fun of the evil boss and Zatoichi playing a game of dice with an overtly self-confident loudmouth who challenges him to a duel.However, the film also has a few flaws. The story is extremely similar to other movies and lacking some fresh originality. On the other side, the story is also more complex and at times a little bit hard to follow with its numerous characters, side stories and minor twists. It would have been better if the movie had been a few minutes longer to tell this complex story in greater detail.Still, Zatoichi's Cane Sword is an above average entry in the franchise. The tense atmosphere in the inn where several key scenes take place is a very intriguing guiding line. The characters have depth and you either root for them or despise them quickly. The complex story is a little bit more challenging than usual which has positive and negative consequences. Collectors and fans of the franchise might appreciate this movie more than some of the weaker previous films but it's not strong enough in my book to be among the franchise's best entries. Those who aren't familiar with Zatoichi yet shouldn't start here and discover the series in chronological order.

Director Kimiyoshi Yasuda's Zatoichi films are so far my least favorite of the bunch, and this one, while not plain bad like Zatoichi on the Road, is fairly underwhelming and didn't really leave an impact on me.Zatoichi's Cane Sword is unusually talky for a Zatoichi film and the majority of it is just a long slow burn. It really takes a while for things to get going, and the plot isn't really the most interesting one too. Some aspects of the story were unclear to me, and there was some filler material. I don't know what's the point of the gambler character who appears several times (most notably in the final scene), and the appearance of singer Kiyoko Suizenji (who's here just to sing her popular song "Ippon dokko no uta") seems lazily shoehorned without much effort to weave her into the plot more fluidly.There are some interesting moments in the film, most notably the final fight scene and the dice throw in the final scene which assumes Zatoichi is a bloody wizard, but aside from those, there isn't much to recommend here.Highlight of the film would, once again, be the climactic fight scene taking place on the streets of the snowy town. Zatoichi's enemies are getting more and more creative - they use everything on him; barrels, even carpets!

In the beginning of this installment of the Zatoichi series, Zatoichi comes across a dying man, who only gives his name, before he dies. Zatoichi then accidentally kills a raven, which he says is a bad omen for things to come. Unfortunately, almost an hour of the movie goes by before these events are revisited. What the viewer sees in the meantime is a lot of plot about how Zatoichi is weary of his lifestyle and that his cane sword's useful life is coming to an end (the cane sword is not a walking cane with a mini blade hidden at the end, like the westerner that I am thought it would be, it is just a walking stick that serves as a sheath for the sword). Once all that is done, then the typical Zatoichi film begins. There is a town in fear of an evil mob boss (who is more fleshed out than in the other films), a young woman in trouble and a huge battle at the end which features a nifty scene with a barrel. The last 40 minutes of this film rank up there with the best of the other Zatoichi films but it's the hour before that sinks this film.

This is a fairly sedate but still interesting entry in the series. Zatoichi discovers that his trusty blade is about to break, and he decides to settle down as a domestic servant rather than risk losing his life and his sword. Naturally a spanner is thrown in the works by another naughty warlord, and complications ensue.