Seven Cities of Gold (1955)

Copyright 1955 by 20th Century-Fox Film Corp. New York opening at the Roxy: 7 October 1955. U.S. release: September 1955. U.K. release: December 1955. Australian release: 31 May 1956. 9,243 feet. 103 minutes.SYNOPSIS: A Spanish land and sea expedition is formed in Mexico City in 1769 to make haste to claim the territory of California for Spain and to locate the fabled Seven Cities of Gold. Captain Gaspar Portola (Anthony Quinn) and his lieutenant, Jose Mendoza (Richard Egan), rough and arrogant leaders of the land force, are angered at the assignment of a lame padre, Father Junipero Serra (Michael Rennie), to accompany them to found missions in the new land. Though Serra may be a religious, he soon proves to be a match for Portola and Mendoza. COMMENT: This religious film is not suitable for children, but it succeeds with adults despite its second-string cast. Michael Rennie comes off best. Jeffrey Hunter, although unrecognizable, also impresses. Quinn's performance is off-hand, but reasonably convincing. Least credible are Rita Moreno (fortunately, her role is small) and Richard Egan (though he does have his effective moments, particularly at the climax).For once, CinemaScope's width is forcefully used. Both the action and drama often comes across with surprising impact. Indeed CinemaScope, allied with natural locations and Webb's remarkably vigorous direction, gets considerable mileage and impact out of the emotionally moving Breen and Higgins script. Indeed, this one of Hollywood's few fully successful excursions into the realm of Christian religion.OTHER VIEWS: A spoken prologue assures us that the events of the story are, in essentials, those of history; and for once, what follows does occasionally seem to justify the claim. The failure of the expedition to achieve its main purpose is a circumstance that encourages belief. - J.W.

*Spoiler/plot- Seven Cities of Gold, 1955. A historical costume drama about Portola's expedition to California in 1769 in search of fabled golden cities of the southwest Indians. It features the settlement of the Spanish at San Diego, and the efforts of Father Junipero Serra to establish missions and encourage peaceful relations with the Indians.*Special Stars- Michael Rennie, Jeffrey Hunter, Richard Egan,, Anthony Quinn.*Theme- Niceness can prove helpful in the new territories.*Trivia/location/goofs- Co,or. The real Franciscian friar Father Junipero Serra was beatified (called "blessed") by the Catholic Church some years ago, which is the first step towards sainthood. He is now referred to as Blessed Junipero Serra. Look for a studio cable pulling down tree during battle with Indians.*Emotion- A mundane historical sword and sandal drama of a small amount of drama. Mediocre at best.*Based on- The historical legends of Portola and Father Sierra's travels in aboriginal California.

If you want to know about the founding of the city I consider the most beautiful in America, San Diego, than Seven Cities Of Gold is the film for you. It's a reverential account from a historical novel with the central figures Gaspar DePortola the soldier/conquistador who took care of the military end of things and Father Junipero Serra who handled the spiritual details. His mission which became the center of San Diego was the first of many he would found in the conquest of California.Anthony Quinn is Portola and he's certainly my idea of a Spanish conquistador. He's a believer, but has more faith in his ammunition and artillery than in the maxim of the Lord will provide. The figure of Father Junipero Serra is a controversial one in terms of the damage he did to the Indian culture. But the Catholic church in the Spanish and Portugese conquests also had a role in blunting somewhat the impact of the gold hungry conquistadors, it did shield their converts from the seamier depredations of European society. Serra who is played by Michael Rennie is done in the same saintly manner that Rennie played St. Peter in The Robe and Demetrius And The Gladiators. By all accounts Serra was a spartan figure for a priest.Jeffrey Hunter plays a new young Indian chief who is not crazy about these people invading his neighborhood. That concern is heightened exponentially after his sister Rita Moreno is despoiled by one of the Spanish soldiers looking for a little action. In fact it throws the fate of the whole expedition in doubt. Richard Egan is the despoiler who has some big decisions to make. Egan who was a serious Catholic in real life makes a decision commensurate with his real faith.Real historians might have trouble with Seven Cities Of Gold. But as entertainment, especially if one is Catholic, this should please you.

There's a mixture of interesting drama and camp in this story of Spanish conquest over California Native Americans. Egan and Quinn play Spanish officers who are on the lookout for the title cities, but who are saddled with priest Rennie who is along for the ride to build a mission. The men don't see eye to eye on how to handle the "Indian problem" and this lends itself to some nice discussion of and demonstration of the tactics used to control them. Eventually, the human elements of both the "whites" and the Indians begin to blend, but not without difficulty and eventually with great sacrifice. Contemporary audiences will be surprised that Egan is top-billed over Quinn and has the more substantial role. Even though Quinn is the authority figure in charge, the story is more about Egan. Quinn is believable as a Spaniard (as he was as so many other nationalities in his career!), but Egan is about as Spanish as William Bendix!! His flat American accent and obviously non-Latin coloring create a sensory paradox when he is onscreen. Rennie is also far from Spanish, but manages to pull it off better with a less distinct accent. All three male leads do a decent enough job acting-wise, but never really catch fire. The only other performers of note are Hunter and Moreno as natives. Hunter gives his usual impassioned performance (unfortunately covered in war paint most of the time) in one of many roles that were beneath his ability. Moreno gets very little to do, but tries to inject some emotion into the proceedings. While the Cinemascope lens captures some awesomely beautiful scenery, it also keeps the actors at a distance. Time and again, dramatic and emotional moments are played in practically long shots! There are very few close-ups in the movie. The two most beautiful cast members (Hunter and Moreno) get nothing closer than a two-shot. This puts a sort of wall up that detracts from the emotional investment in the story. Then there's the camp factor. It begins immediately with a hilarious voice-over that exclaims how accurate the story is and that the only change that was made is that the "words will be set in English." PLEASE! Moreno and Hunter, while compelling performers, are given ridiculous wigs and clothing to wear. Attempts at humor, handled adeptly by Hunter, seem to add a corny aspect to the otherwise serious film. There's a bizarre interlude with Egan and Rennie finding shelter in a sandstorm. The sword-and-sandal crowd may find themselves trying to spot Egan's winky as it veers to the left in his clingy green trousers (with oh-so-festive red cummerbund.) In all, it's a pretty, sometimes engaging movie, but rather silly at times and lacking any real emotional resonance.