Far from Men (2015)

It was movie that touched a string and left my mind empty of thoughts. Those views of the Algerien desert were magnificent. They pointed out something that we seem to forget again again: we are so small in the background of nature. I've often read in books about how the immensity of the desert humbles human beings but I never understood what it meant. Living in a place like that seems to have made the school teacher realize how precious is life and how small is the importance of human squabbles. Quiet... That seems to be the predominant sound of the movie. Or more likely peace, a peace that Daru attempts to keep by turning a blind eye to the chaos that seems to start brewing around him. However, eventually he can not bring himself to sacrifice his values in order to keep his peaceful life. The movie also shows the incipient stages of what we today call terrorism. Daru's perspective is very interesting. As a child who is born by Spanish parents in an Arabic country and who is also a French citizen he belongs to three nations and to none in the same time. Thus he has insight on all three cultures from a rather impartial perspective. He is not touched by excessive nationalism and can see analyze their cultures from a wider point of view. We can see in this movie what could be called the calm before the storm. The inhabitants of the Arabic world are starting what they call a "revolution". From their point of view their actions represent their path to freedom, liberation from the oppression of foreign tyranny. We are used to see the terrorists as villains but perhaps they are victims just as match as we are.

There is something eerily enigmatic in seeing a lone teacher in a one-room school in the middle of nowhere. It was used to great effect in Ted Kotcheff's re-discovered 1971 Australian classic Wake in Fright and director David Oelhoffen conjures similar ambiance in his ultimately gripping Algerian-based drama Far From Men.Set in 1950s Algeria against a backdrop of growing civil unrest to French colonial rule, Daru (Viggo Mortensen), is an apparently unassuming French teacher in a remote and barren outpost, educating young Arab children on matters French with no apparent nod to their own heritage. His isolated retreat is broken by the manacled arrival of Mohamed (Reda Kateb) on a charge of the murder of his cousin. He is ordered to take the prisoner to the nearest French administrative centre where he knows full well that after a perfunctory trial, the Arab will be found guilty and executed. More than reluctant to undertake this task, which he clearly views as accessory to a killing, events take a dramatic turn leaving the diffident teacher with no moral alternative but to undertake the task. The film then follows their journey as they head out over rocky, mountainous terrain.Oelhoffen and cinematographer Guillaume Deffontaines take full advantage of the Algerian desert landscape, frequently showing the two men pitted against its magnitude and harsh, extreme conditions. It is exceedingly well shot, drawing the audience in with its captivating imagery. Music from Australians Nick Cave and Warren Ellis was unobtrusive.Initially slow-burning, the film bursts into energy with gripping drama, twists and turns. As the back stories unfold, the surprising resilience and phlegm shown by the quiet teacher is understood. The conclusion was unexpectedly poignant.The concept and themes of two diverse men on a road journey pitted against elements and events far bigger than them are not unfamiliar. But the injection of unexpected plot devices and character development keep the film fresh and the audience engaged. Performances from both Mortensen and Kateb are strong and the two actors gel together well.

This is an action movie of the mind, of the soul. Based on Albert Camus's short story The Guest, this in effect sums up the writers philosophy with clarity and insight. It was shot in Algeria which presents a perfect backdrop - both because it was where Camus grew up and because the stark but beautiful scenery fits perfectly with the story.(It even hints at Camus's own life in Algeria. He was of the working class - real working class, like working with their hands - and with Spanish heritage.) It takes the Camus story a bit further - but always with elements that was in fact part of Camus's life. For anybody who fondly remembers existentialism and how it analysed our human predicament, this movie will be a reason to celebrate. For those who does not know it, but is clever enough to agonize over our predicament - like how do we save our humanity when life forces us into situations that show that we are NOT " fully in control of our destiny" - start here. The acting is superb and the directing is brilliant - and obviously done by someone who understands Camus. Do not expect special effects or action hero stuff. This story goes deeper than that. Far deeper. It is in French but as the dialogue is on the sparse side, the subtitles for English speakers are easy. A movie of a great idea wherein the message, the dialogue and the filming merge together into a powerful statement.

The movie is timeless, with a great story, breathtaking landscapes and Viggo Mortensen - as always - excellent, and he speaks at least three foreign languages in this French movie. A must seen movie and the best one I have seen all this year 2015. You have in this feature the sad and beautiful story of a short and poignant friendship during war in Algeria. Two very different men who will have to fit together, against all odds. I think Viggo Mortensen does well to play in 'little movies',his acting is getting better and better as he is getting older.I saw the movie with only 15 people in a little cinema. What a shame that big cinema buildings don't show this one. But I don't mind, then all the people are at least interested! Everybody should go to the cinema to see this excellent drama!!!