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Walking Tall

Walking Tall (1973)

February. 22,1973
|
6.9
|
R
| Drama Action Crime

Ex-wrestler and Tennessee Sheriff Buford Pusser walks tall and carries a big stick as he tussles with county-wide corruption and moonshining thugs.

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bkoganbing
1973/02/22

Some rather unscrupulous Dixie gangsters wanted this man out of the way real bad. In his real life town of Adamsville, Tennessee sheriff Buford Pusser made a career out of busting the various clip joints that infested his areas. Those that ran them did all they could to kill him. After the action in this film was portrayed they kind of got their wish and Buford Pusser was killed in a car crash that some still label suspicious.Pusser was a big guy in real life and a big guy in Joe Don Baker was hired to play him. On screen Baker really gets into his character so much so that could be the real Pusser you see on screen. Before going into law enforcement Pusser was a professional wrestler in the southern circuit known as Buford the Bull. As the man was attacked several times including one shooting no doubt his superb athletic conditioning saved his life.Elizabeth Hartman portrays his wife and mother of his two children, one of them played soon future teen bubblegum idol Leif Garrett. A few familiar faces dot the supporting cast. One portrayal you won't forget is Rosemary Murphy owner of one of the clip joints who hustles women and gambling and she develops a real hatred for Baker. She sizzles on the screen.On the screen and in real life Pusser was not a stickler for civil liberties niceties. He did what he had to do to root out corruption in his small corner of the world. In another century like the one we're in now, Buford Pusser would have the status of a Wild Bill Hickok or Wyatt Earp. Both of whom didn't mind gambling interests but kept the cheating to a minimum.To some, an American hero.

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Robert J. Maxwell
1973/02/23

Joe Don Baker is Buford Pusser, an ex Marine who returns to find his small, peaceful Tennessee town corrupted by an immoral cabal marketing illegal stuff like gambling, white lightning, and trailer hos. He is elected sheriff and cleans it all up.Baker is mulling over the decision to run for County Sheriff. It's a dangerous job in this milieu. He's already seen a friend killed and has himself been horribly tortured. His wife, Elizabeth Hartmann, objects. "Is your pride worth the lives of your wife and children?", she asks. Both Baker's character and the viewer take the sentence to be rhetorical. It's not.But it's the sort of challenge that every wife lays down before her man when he's about to commit himself to some heroic deed. How many times has John Wayne's cinema wives clashed with him and his career as a sheriff or a Marine because they want him safe at home, not out risking his life, wondering if he'll come home in a body bag? Phil Karlson, the director, has made a couple of powerful movies but I'm not sure that he understood the import of Hartmann's question. It may have been that he realized it, but it may also have been an accident, the kind of phrase that slips easily by someone's critical apparatus. That's what I meant when I called the movie ironic.There's another scene that demonstrates the same irony. Baker has just been ambushed, his wife murdered and half his jaw shot away. His face is encased in plaster up to his eyes. He's weak and can barely move. And we see the crowd of friends in the corridor gawk and make a path when Baker's young son solemnly enters the room, carrying the little rifle that Baker gave him for Christmas. The kid is going to kill anyone who tries to hurt his Dad. Do the film makers know what they're saying? Anyone expected a Steven Segal wisecracker or anything resembling the loutish remake with Dwayne ("The Rock") Johnson will be disappointed. This movie is ambiguous in too many respects. It's not a simple revenge movie like "The Punisher," although there is an abundance of violence and blood. After that first mauling and the subsequent humiliations, Baker is rabid with revenge. His face turns into a horrifying Gargoyle mask as he tortures the spies and law breakers.I would guess -- judging from some recent polls and comments from our own politicians -- that about one out of four Americans will see this as the simple triumph of good over evil. (The distribution will be skewed in the direction of boys in their early teens.) It won't occur to them -- though the notion is brought up once or twice by character is the movie -- that Baker is a flawed person, that his pride verges on arrogance, and his anger on enjoyment. He brags about his scars.It's hard to argue with such a black and white view of the sheriff. He only drinks an occasional beer to be friendly, doesn't smoke, doesn't cuss, doesn't approve of see-through blouses, doesn't hold with loose women even if they love him, he's all tenderness with his wife and children, and doesn't gamble. Has there ever been such purity -- outside of the Bible and Arthurian legends? Baker is surprisingly good in the role of the real-life Buford Pusser. You can tell the story is based on actual facts and personalities because where else would you find people with names like Lutie McVey or Ferrin Meaks? As for Buford Pusser, that name would be the first to go. As the heroic central figure, he'd have to have a name like Matt Steel or Bull Durham.But the acting (and the location photography) are fine across the board. Nobody is a dud. Baker himself always sound like he's reciting lines in an acting class, doing his level best, but it's okay in this kind of role. After a while you get used to it and come to believe that this is how he sound off screen. He had a similar role, except as a murderer, in "Charlie Varick," where he was easily the most complex character. Probably the best performer in this film is Rosemary Murphy as the villainous Callie Hacker, head of the Whore Division. She doesn't get a chance to exercise her chops here, but catch her in "Night Moves" if you can.It doesn't really matter how you take the movie. You can either accept it as a shallow revenge story full of blood and sentiment or as the rather deeper and murkier thing I suspect it is. It will still be gripping and emotionally moving. The climax has the law-enforcer breaking the law in search of insurance that the law will prevail. Dirty Harry with a motive. Ironic.

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garyldibert
1973/02/24

This movie was the true story of the life of Buford Pusser who was a nobody who run for sheriff against Al Thurman the current sheriff and won. Joe Don Baker plays the role of Sheriff Buford Pusser, Elizabeth Hartman plays the role of his wife Pauline Pusser and Gene Evans plays the role of Sheriff Al Thurman. When Pussor is beaten to with in an inch in his life that's when he decides to run for Sheriff. Pussor did things different then Sheriff Thurman and the biggest thing was that he didn't have a ***. When Pussor starts to clean up the town the mob gets very upset and tries to get even with the sheriff. Does the mob go to far in their effort to stop the sheriff from interfering in their own personal business. Since there's no main actress in this picture, I can't give it 10 weasel stars but I can give 8 weasel stars.

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mhrabovsky1-1
1973/02/25

Remember seeing this film when it first hit the theatres in 1973...had some hype in the local newspapers and TV ads and was ballyhooed a lot like "The Exorcist" the same year. This film does not disappoint. If you like underdog films and the bad guys getting their a's kicked you will love this movie. Joe Don Baker, a bit actor at the time puts in slam dunk performance as the tough tennessee sheriff Buford Pusser who is a southern dirty harry type cop. Some fans might remember Baker as one of the prisoners in Paul Newman's "Cool Hand Luke". Story centers around Pusser returning home after a long sabbatical as a pro wrestler to find corruption running amok. After getting sliced and diced at a corrupt card table in the local septic tank bar and left for dead on the side of the road Pusser gets angry enough to make a run for sheriff....after winning the surprise election Pusser has to recruit some honest deputies - a rather hard task in that small corrupt town - and proceeds to try and weed out the gangsters and prostitutes running amok in the town. After running the corrupt judge into the basement of the local court house Pusser has to stop the moonshining operation run by the mob also. Along the way he literally castrates a corrupt deputy who is a mob informer. His preferred weapon is not a pistol but a big round wooden "stick" if you will he uses to bang up and batter down all criminals with. Gets to be sort of fun waiting for the next scumbag Pusser will pound down with that big wooden stick......scene of Pusser and his wife getting ambushed by the mob is very graphic and humbling...several people getting very teary eyed in the theatre the first time I saw this film. Scenes of Pusser and his children walking in funeral procession for his wife get to your emotions in a warm and tender way. Plenty of action, and the bad guys get mowed down in the end by Pusser. Almost like a carbon copy of the original Dirty Harry film the same year with Clint Eastwood mowing down the criminals. Poor cinematography and film editing the only downer for this film. Why does the viewer have to see part of a microphone hanging down from a bedroom?? Don't bother with the sequels without Baker as sheriff Pusser. Bo Svenson poor substitute after you have seen Baker as Pusser. Great overall action film - can be quite graphic. Not for young kids to see.

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