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Beauty and the Beast

Beauty and the Beast (1987)

April. 01,1987
|
5.8
|
G
| Music Romance Family

To save her father, a girl who always puts others before herself promises to live her life in a lavish castle with a strange beast.

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Reviews

Kirpianuscus
1987/04/01

not great. not impressive.and far by the animated version. only sweet. and this is the necessary virtue of an adaptation of a fairy tale. Rebecca de Mornay and Yossi Graber and John Savage are perfect choices for theirs roles and the atmosphere and dialogues impress for the define the precise target of film - the children. sure, in a period when the films must be for entire family, when the technology makes each ambitious project realistic, the delicate romance of a film who could be easily victim of ironies is not real seductive. but this version of Beauty and the Beast is impeccable. and almost a model for the right manner to translate in image the heart of a story about love, sacrifice and happiness. the delicacy , the air of the late "80's, the slow and careful exposure of events are inspired options for recreate a form of magic who open the doors to a real lovely fairy tale.

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SnoopyStyle
1987/04/02

Beauty (Rebecca De Mornay) is a dutiful considerate girl who takes care of her four frivolous siblings. Bad news pile on and on. First father (Yossi Graber) lost a ship, then the chief clerk ran off with the cash box, and now the whole storehouse has burnt down. They are reduced to living in a cottage. News arrive that their ship survived and father goes off to retrieve the ship promising to bring back gifts for everyone and a rose for Beauty. However when he arrives, the ship has been sold to pay off the men. On the way back, he seeks shelter in the castle of the Beast (John Savage). He is shown great hospitality, but before he leaves, he picks a rose from the garden. This transgression angers the Beast and sentences him to death. The Beast allows him to go home and retrieve one of his daughters to take his place willingly. Beauty goes back with his father and takes his place at the castle. In return, the Beast gives father 2 chests filled with treasures to take back.The Golan-Globus production is pretty cheesy. The dialog is stilted. The three lead actors are experienced and try admirably. The others especially the siblings come off very poorly. The songs are off-Broadway worthy and nobody embarrasses themselves singing. It's a poor production that rests solely on the talents and beauty of Rebecca De Mornay. It could have gone much worst considering the amateurish directions and production style. The effects shot are old school and done poorly. The costume are garish. The look of the beast is reasonable if a little stiff. It's a variation of the lion look. This would be a good remake 20 year before. But 4 years later, Disney would have the standard and blow this one into oblivion.

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Amy Adler
1987/04/03

Beauty (Rebecca De Mornay, young and very, very lovely) lives with her father, sisters and brothers in ye olden times. Beauty is the unspoken "caretaker" of the family, the one who makes their lives easier with her devoted attention to their needs. The father, a merchant, has been struggling but he hears that a ship of his has come in. Before he travels to port, he asks his children what they would like as gifts from afar. All of the girls asks for expensive presents but Beauty asks only for a beautiful rose. Alas, when the patriarch arrives at the docks, he finds that the ship did not arrive but was, in fact, lost at sea. Terribly distraught, he runs into a storm on the journey home and finds shelter in a large mansion with beautiful grounds. After a night of comfort, and without meeting the home owner, father is exiting the gardens when a rose catches his eye and he picks it for Beauty. Immediately, a man-beast (John Savage) rushes into view and snarls the bad news. For stealing a rose, father must remain on the estate forever. However, after much pleading, dad convinces the beast to let him return home to say goodbye. But, once back home, the whole story tumbles out and Beauty agrees to take his place and spend the rest of her days at the distant mansion. Since she won't take "no" for an answer, Beauty soon is installed in her new surroundings. She receives beautiful new clothing and lovely rooms. She even dreams of a "handsome" prince. But, reality soon comes calling with the entrance of the beast. Will Beauty be able to endure her "pretty" prison in the company of such a monster? This is a lovely, long-ago musical adaption of the classic story but not, of course, in the same category as the brilliant animated version. This one succeeds mainly on the presence of the two stars. De Mornay makes a beautiful beauty while Savage does a fine, sympathetic turn as the spellbound beast. The other actors work ranges from fine to acceptable to laughable but that is of small importance. The music, while pleasant, is not very memorable but the costumes and sets are more than adequate. Best of all, the film is a very "family-friendly" flick. Therefore, if you want to show a nice romantic film to a crowd of young females, this is a wonderful choice, for it has no objectionable material or themes. I happened upon the film at Kroger's for $3.99 and I consider that to be money well spent indeed. Why don't you keep your own eyes on the lookout during your next trip to the supermarket?

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smoothhoney1265
1987/04/04

Ohhhh my God, that was dreadful. Okay, DeMornay is quite nice to look at, but the prince looks like a cheap body builder from a cheap advertisement.Yeah, the costumes were nice. But the story was totally empty, lacking emotions, suspense, style, ah, just everything. In the end you just don't understand why she stayed with the prince and fell in love with him cause the dude is boring as hell and delivers one stupid line after another.Never before have I felt less while watching a movie.I guess the two best adaptions of this tale are still the Disney one and the one by Jean Cocteau, with Jean Marais playing the prince / the beast. Go watch those instead and save your time on this empty flick.

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