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A Tale of Two Cities

A Tale of Two Cities (1958)

August. 04,1958
|
7.1
| Drama History Romance

British barrister Sydney Carton lives an insubstantial and unhappy life. He falls under the spell of Lucie Manette, but Lucie marries Charles Darnay. When Darnay goes to Paris to rescue an imprisoned family retainer, he becomes entangled in the snares of the brutal French Revolution and is himself jailed and condemned to the guillotine. But Sydney Carton, in love with a woman he cannot have, comes up with a daring plan to save her husband.

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Kim Harris
1958/08/04

Why is it that reviewers insist on complaining that a film is less worthy because it does not exactly stick to the book upon which it is based? There are differences between this film and Dickens's novel and other film adaptations. That does not matter. A film is a film and a book is a book and they are different works of art. What matters is whether the film as a work of art, or entertainment, or narrative, works in its own right and on its own merits. I would contend that this film certainly succeeds on that basis. The narrative is coherent and convincing, despite the unlikely premise of the ending of the story - and you can blame that on Dickens. The film is beautifully shot in black and white just at the time when most features were being filmed in colour and, in my view, this adds to the film. The script is well written, the actors well cast and the performances are convincing. Another reviewer has complained that Darnay and Carton were not played by the same actor. That would be a serious mistake, just as to have Viola and Sebastian played by the same actor in Shakespeare's 'Twelfth Night' is a mistake. Much of the dramatic tension comes from having just enough similarity but not too much. In this way, the different characters of the protagonists are emphasised. Bogarde puts in his customary well-balanced performance and the sympathy between him and Lucie Manette is clear to see without being overplayed. The excellent Dorothy Tutin puts in a convincing performance as the beautiful Lucie and the supporting cast is generally very good. The slight exceptions would probably be M. and Mdme Defarge who are not entirely convincing. He is too weak and she is too histrionic.

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sg_otsr
1958/08/05

Alas, this version is FAR FROM FAITHFUL. This version is so mixed up that any child who watched it in an effort to fake their way through a report without reading the tome would fail. Parts of the story are out of order, characters consistently appear in places they do not appear in the text, and Lucie does not meet Darnay on the Dover Mail in the text. Instead, she meets him on the packet from Calais, when she returns to England with her father after collecting him in St. Antoine. This misguided interpretation has her seeing Sydney long before the trial that opens Book the Second and mistaking him for Charles. Those are just a few of the large number of inaccuracies found throughout the film. As an English teacher who holds this as one of her favorite books of all time, I wish I had never watched this version. Go watch the one from 1935 or even the Masterpiece Theatre version from the 1989. No film interpretation is ever spot on, but those two have far fewer inconsistencies than this one.

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Rozinda
1958/08/06

This is my favourite Dickens book and my favourite Dickens dramatisation. I remember reading that there had been some doubts originally whether Dirk Bogarde matinée idol could manage this part. Instead it was presumably his first chance to show the inimitable quality of his acting. He is perfect in this part and I cannot imagine anyone else ever doing it better although I'd guess Ronald Coleman could equal it. I've seen one other, more recent version and although Carton's actor had a good go at it, it totally lacked the amazing charisma Bogarde provided for what is one of Dickens' most poignant characters - flawed, fascinating, cynical, damaged but wonderful.It's a crying shame this wasn't filmed in colour since the producers did consider doing so and then didn't. But the production and acting are so excellent that you soon don't notice it isn't colour as you become completely immersed in the movie. I suppose it's always possible the lack of colour actually enhances the drama, and for me this story is the most dramatic and poignant of all Dickens - a work of pure genius.

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lawrence_elliott
1958/08/07

"Tale of Two Cities" is one of those overworked and tired tales that has been over told dozens of times ad nausea! However, this rendition is glorious. Only the Ronald Colman version is slightly better, but Dirk Bogarde fits this role perfectly, as he does most of his other roles in film. Although most of the versions of "Tale of Two Cities" are boring, much like the tired renditions of Beethoven's 5th Symphony, this version is like the Herbert Von Karajan or Carlos Kleiber orchestrations that are spectacular and inspiring, as if played for the very first time. There are beautifully crafted scenes in this film that create an interest in the humanity of the characters. This is truly a wonderful film.One of the most powerful ending's to a film I have ever seen, similar to the sacrifice that Christ made for us on the cross, this is a film you must see and you will be glad you did. You will ask yourself, how many people could make such a sacrifice for the one they love? I know I couldn't. The courage of these characters' is awe-inspiring and as one of the character's says, Sydney Carton (Bogarde) shows the best that is in us, and is the best of us, in desperate times. A Super Hero in a great film! See this one! If you have a heart, you will have a lump in your throat and your eyes will be moist at the end of this one!

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