The Hunt for Eagle One: Crash Point (2006)

THE HUNT FOR EAGLE ONE: CRASH POINT is the follow up to the original HUNT FOR EAGLE ONE film. These are war movies starring B-movie action hero Mark Dacascos and shot in the Philippines by long-time exploitation producers Roger Corman and Cirio H. Santiago. The first film was a drivelling mess of badly-directed nonsense, but to my surprise this sequel isn't too bad.Let's get this straight, however: by mainstream standards, this is poor. The storyline is hackneyed and predictable and the direction is hardly adequate. In addition, the acting is wooden across the board, including that of Theresa Randle (who returns from the first outing) and newcomer Jeff Fahey, who should know better.Even so, this is mildly entertaining to a degree. There's a greater emphasis on close quarter combat than in the first film, including a couple of decent fights between Dacascos and various villains. The violence has also been amped up, making this more of an all-round guy's flick. Hardly what I could call good, solid entertainment but it passes the time if you're in the mood.

"The Hunt For Eagle One: Crash Point" is a step up from the first one.The plot this time around is about Al-qaeda. They have a nuclear device and only Lt. Daniels and Jennings (Dacascos and Randle) can stop them. Jeff Fahey plays their Commander."Crash Point" has ten times more action. Dacascos gets to use his martial arts skill, even when his character can just shoot people. Randle handles the clunky dialogue well. The climactic chase with a helicopter and a bike, while very silly, works on a B-movie level. Fahey just yells a lot, but does a good job at that.Overall, "Crash Point" is better than the original, and I wouldn't be surprised if they made a third one. Maybe they can call it "The Hunt For Eagle One: Gitmo Strikes Back".For more insanity, please visit: comeuppancereviews.com

A huge disappointment for any Mark Dacascos fan. Very little martial arts, just a lot of gun play and that is not why I watch Mark. We want to see shades of "The Base" and "Drive". This was a let down. That said, Mark can act and he does well given the script and the actors he has to work with. The action is pretty good if you like gun fights. The story is fun too, actually kind of clever in a impossible sort of way.The effects range from B right down to Z. But as I said the action is a solid B, its just not the sort of action I expect from Mark. I hope he starts doing marshal art based action movies again soon. He has too much talent to waste on this sort of project.

Picked this one up at the video store because I was looking for a nice shoot 'em, but also had a little hankering for some fu with my blood and guts. When I saw Mark on the box, I thought maybe I'd get both -- and this movie didn't disappoint.First off, Mark Dacascos kicks ass. BROTHERHOOD OF THE WOLF anyone? That said this movie had some sweet gun play in it as well. I particularly liked when Mark gets pinned down at the bombed out building and sprints the gauntlet to blow up the M-60. It was like LAST OF THE MOHICANS clicked off safe onto fully automatic. Mark also shows some real chops acting wise. Great gravitas that made you believe that his unit would follow him into battle. Why he doesn't get these roles more often is beyond me. That's not to say this movie isn't without it's problems.Like whats up with all the plane shots from the nightly news? I mean whoever made this thing obviously knows how to make action look real -- and let pros like Mark do what he does best -- but the plane stuff and CGI are laughable. It looks like they stole the plane from the video game my dad plays on his Atari in the basement. And why is the Colonel talking all the time just repeating what we already know from watching the movie? I was like - no kidding Sherlock.All in all, I say get this if you like to see stuff blow up, watch guys go down with spin kicks, and want a little acting with your action. There is some real BAND OF BROTHERS moments that I liked, especially with some guy named Steve Cryin, I think. Hard to tell from the titles which screamed low budget. But even with the budget, the shots showed real visual flare. BOONDOCK SAINTS this isn't, but I would put the best stuff in that category.