Shanghai Chest (1948)

Roland Winters carries this off better than in his first couple efforts. There's a little more pizazz to this offering. Several men are killed who were associated with the conviction and execution of a hoodlum. Apparently, he was innocent of the crime. This brings into play someone who is seeking revenge. Since it is thought that he has no relatives or close associates, finding the guy is pretty hard. Once again, we have the poor guys, alone in their offices, with the windows open. They are attacked from behind and left to die. There is a red herring in the barrel that is never dealt with. A man who is the nephew of a judge is to be disinherited and becomes a suspect. He is cleared very quickly (a weakness in the plot--but then he is abundantly unattractive as a person) because of some findings. We pretty much never see him again. The problem with the whole thing is the circumlocutory mess that must be gone through to find our guy. There is an exhumation of a grave, done in about five minutes. It's hard to tell who is who in the fabric of things. When the solution comes my response was "Huh!" And, of course, the two hangers on are there again to participate.

Charlie Chan (Roland Winters) must prove the innocence of a deeply stupid man (John Alvin) who puts his fingerprints all over a murder weapon. Contrived mess of a mystery with particularly weak writing, even for Monogram. Winters is terrible as Chan. I can't stress that enough. Mantan Moreland and Victor Sen Yung are back playing buffoonish comic relief sidekicks Birmingham and Tommy. There's nothing to recommend about this one. If you're a Charlie Chan completist, I suppose you should at least try it. If you're new to Charlie Chan films, please don't let this or any of the Roland Winters movies be your first. As a matter of fact, avoid all of the Monogram movies until you've seen the far superior Fox movies first.

With the franchise slowly coming to an end, SHANGHAI CHEST actually has what it takes to make more than a few Chan fans happy. There seems to be more humorous moments thanks to #2 son Tommy(Victor Sen Young)and manservant/chauffeur Brimingham(Mantan Moreland); even Roland Winters as the fabled detective seems more relaxed...but to no avail for there is only to be one more movie in the mystery series. Vic Armstrong(John Alvin)argues with his Uncle the Judge Wes Armstrong(Pierce Watkins)over a plea for money. Vic has wasted away a $30,000 inheritance and is upset his uncle won't loan him money. The Judge actually wants to take his nephew out of his will. As Vic goes to confront his elder, he walks into a darkened room to answer a ringing telephone; he is then knocked out while his uncle lays on the floor with a knife in his back. Secretary Phyllis(Deannie Best)hears the scuffle on the phone and summons the police. When the lights come on there of course stands Vic with the bloody knife in his hand. Oh gee, someone save this man about to be wronged. Hire famous detective Charlie Chan to find the real killer. Other players: Tim Ryan, Russell Hicks, Philip Van Zant and Olaf Hytten.

This is one of the most entertaining of the later Charlie Chan films, with Roland Winters obviously enjoying himself in the role of the famed detective. The mystery is clever enough to hold up until the final revelation of who done it, with many humorous and atmospheric scenes leading up to the finale.The low brow Forties humor may not appeal to all modern viewers , but for die-hard Chan fans, such priceless moments as well meaning Number Two son Tommy and nervous chauffeur Birmingham ending up in jail, after attempting to apprehend a supposed crook ,who turns out to be a respectable citizen, are what make these Monogram Chan movies so much fun. Milton Parsons turns in one of his patented undertaker performances as an evasive mortician questioned by Chan, with a very funny bit by a pretty Asian receptionist, who responds to Charlie's polite greeting in his native language with a beaming, " I'm sorry, but I do not speak Chinese." The slightest hint of parody lurks beneath such classic moments as a suspect who had much to gain, being found over a dead relative ,holding the murder weapon; a faintly suspicious butler, and a mysterious figure in black creeping around the various murder scenes.This is a thoroughly enjoyable old mystery, with plenty of atmosphere and laughs for Charlie Chan devotees.