The Borgia Stick (1967)

It's amazing that this made-for-TV movie was so good - there's very little that was suspenseful - and the money laundering scenes were presented as suit-n-tie business dealings - altho the man was disguised - it just didn't seem that sinister - there are very few degenerates or gunplay - it's very suburban middle-class in tone and feelhowever - it proved memorable for me - i saw it when it was first broadcast in 1967 and it's haunted my memories since - i think i saw a rebroadcast some years later - but otherwise - it has only been rebroadcast in my mindfrankly - it was the thought of being in an arranged marriage to Inger Stevens that burned itself into my memory - while i've never been a huge fan of hers - she was so appealing in this film that the sensuous thought of it pulled me into the plotunlike much of today's TV fare - it's in bright color (color TV was just becoming wide spread in 1967) - and in the early 4:3 television aspect ratio - which probably accounts for the TV "look" that differs from big-screen movies and much of today's TV - and at this early stage of made-for-TV movies - they hadn't gotten into the habit of announcing every commercial break with the rise dramatic music cues and a cliff-hangerthis film is about characters and relationships - it follows the life of a young childless middle-class couple who live in a suburb of NYC - who are cozy with their next door neighbors who are child- filled - the husbands commute together to NYC together - but while the neighbor goes to his office - the younger man dons a disguise and visits banks with a briefcase full of cash - obviously for money laundering - though he does wind up at a small office in the city filled with toys and a solitary employeethen 23 minutes into the film - things change - between the couple - and to the couple - which brings them into collision with their crime syndicate bosses ("the company") - but things are handled by the company bosses with subtlety and finesse (a wonderful change from today's scripts) - with almost nothing of menacing thugs or dark dirty alleysthe good actors given a chance to show their stuff - Don Murray and Inger Stevens as the couple have great chemistry together - Barry Nelson as the neighbor has chemistry with them too - Fritz Weaver is at his best as a suave syndicate boss - but even the others with less screen time add wonderful color and texture to the weavethe story has nice twists - altho the background of the syndicate is presented in a hazy incoherent monologue - but overall this story is laid out in such a way as to make the mundane engrossing - ie they don't overdo the action for actions sake - in other words this is an intelligent script probably best appreciated by similar minded people

After the present-day funeral of Don Murray (as Thomas "Tom" Harrison) and Inger Stevens (as Evelyn "Evie" Finch), we flashback to see their story… The attractive married couple is set-up in suburban New York by a Mafia-like organization called "The Company" (explained in the script as a more modern term for "The Syndicate"). Mr. Murray (once Andrew "Andy" Mitchell) was recruited due to some embezzlement problems, and Ms. Stevens (once Ellen Coogan) was into drugs and a street gang. Basically, Murray's job is to launder money while Stevens provides bedside manner...Trouble begins when Murray decides he wants the life he is pretending to lead. Envying neighbor Barry Nelson (as Hal Carter) and his growing family, Murray declares his love for Stevens and desire to have children; moreover, Murray wants to leave "The Company". As you might imagine, this isn't going to be easy. Stevens frighteningly refuses. Then, Murray's cover is threatened when a man from his past arrives on the scene. Sensing the man (whom you'll recognize as Ralph Waite from "The Waltons") is a threat, Murray must report him to "Company" leader Fritz Weaver (as Anderson)..."The Borgia Stick" is a well-produced NBC-TV movie from 1967. Its quality and success helped return made-for-TV dramas to popularity; a 1950s staple, the TV drama had been replaced by theatrical films. But, by the late 1960s, the television-produced "Movie of the Week" was a ratings winner. Murray and Stevens are excellent; they are allowed a lot of natural, sexy chemistry. Producer Richard Lewis, writer A.J. Russell, and director David Lowell Rich would have been a winning team, if "Emmy Awards" had their categories intact. The crew re-teamed for "A Lovely Way to Die" (1968).Some combination of this crew of New York City filmmakers might have familiar with a certain afternoon TV thriller - or, they must have used the same agency. For whatever reasons, they employed (at least) six "Dark Shadows" (circa 1966-1968) TV players in not only "The Borgia Stick" but also "A Lovely Way to Die". That's more than producer Dan Curtis allowed in the average episode of the supernatural serial. Herein catch (then) "DS-regulars" Hugh Franklin and Dana Elcar along with semi-regulars or bit players Conrad Bain, House Jameson, Barnard Hughes, and Ed Crowley – all in living color.******** The Borgia Stick (2/25/67) David Lowell Rich ~ Don Murray, Inger Stevens, Barry Nelson, Fritz Weaver

Inger Stevens - fresh from The Farmer's Daugther (with William Windom and Cathleen Nesbitt) and the venerable Don Murray are superb. I bought an okay DVD online. The story still holds up after so many years and that is because of the leads and the supporting players. I've never forgotten it. So weird how we older people remember certain films that have touched our lives in some way or other. I believe it was Inger Stevens who did it for me. Sad life, a tragedy. The film is eerie and so true to life. And as it turned out could very well be reel life. I wish they would release it on a good, good DVD. It is worth watching on any venue however.

What a great TV movie! Too bad it is not available on video. This is a very fast paced thriller. Excellent performances by all. The story line is tight and really keeps the viewer focused on the next plot twist. Have seen this film 12 to 15 times and would love for it to be issued on video.