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The Angry Hills

The Angry Hills (1959)

July. 29,1959
|
5.7
| Drama Thriller War

Nazis chase a U.S. newsman (Robert Mitchum) paid to smuggle names of Greek resistance leaders to London.

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chris ludlam
1959/07/29

This is a well-cast and quite enjoyable Greek-set World War II yarn,which manages to entertain even with the studio edits(Which caused confusion to some).War Correspondent Robert Mitchum is suitably both laconic and heroic as he,initially reluctantly,seeks to escape Nazi-occupied Greece with a memorised list of Greek Patriots who will feed information to the Allies,whilst feigning collaboration with the Germans. Acting is generally good,with Mitchum and Gia Scala(As the Greek Village girl who aids him and loves him)bonding well together.Some interesting supporting performances too,including a surprising but vital appearance by Sebastion Cabot later in the movie. We also have a risqué(For 1959)early Taverna scene,featuring the "exuberant" Singer/Dancer Marita Constantinou,which must have been filmed twice in anticipation of possible Censorship. The VHS copy I have from the U.S.A shows her bosom discreetly covered - The recently acquired DVD(U.K)reveals her to be topless! Overall,some good,nostalgic location filming:The Plaka,Tourkolimano,etc.;adds atmosphere to this likable Adventure/Drama.

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Cristi_Ciopron
1959/07/30

Droll scenes, broken storyline, ridiculous villains, a yummy actress (Gia Scala), Mitchum not soaked by the general silliness, and Aldrich severely clueless. Directed by Aldrich and starring Mitchum, it's an uninspired, eerily misdirected war _actioner, often droll, as if a half-wit hired Aldrich, Mitchum, Goring, Cabot, Bikel, Baker, to see this movie done, like someone's ambition came through, say a war movie by E. Wood, the lousiest scenes are saved for Heisler (head of the Gestapo in Athens), the undecided mother and the fat benefactor; the twists seem bizarrely inefficient (when the car shows up at the nunnery, I gathered the Gestapo sent it, but it didn't, the double agent broad, Lisa, was merely acting on her own, only then do the Gestapo try to convince her), the gimmicks look childish and unlikely (Heisler's map, also Mitchum's attempt to shoot the Gestapo head, then the fooling of Tassos …), the Germans track Mitchum in the hut where he hided, but aren't able to arrest him when the broad hosts him in Athens …. Both script and, save Mitchum, Goring and the Greek girl, acting are uncannily clumsy, with a random storyline and unlikely scenes meant to look intriguing, many scenes have a droll look, and the character seem sly-boots, jokers, hoaxers. This movie disappointed me, the director and the cast looked promising, though the title almost gave away the silliness; there are a few nice scenes, till the Germans step in, and the warrior (who is in fact a foreign correspondent, and remains mysterious till the finis) wakes in Elefteria's house, but even these exciting initial scenes, from Mitchum's arrival in Athens (it remains undecided whether he was only pretending to be an officer) until his jumping in an army car, have droll forebodings (like Tassos spying at Mitchum's door, or Mitchum leaving the museum unharmed). I don't believe I have ever heard about it before finding it, and in this situation it seems reasonable. Aldrich deserved a spanking for angering those hills. Perhaps less for giving a wholly positive image of the Greek patriotism and life in the country, with the nunnery meant to give Western audiences a sense of familiarity, and endearing, though later entirely anti-ecumenical, Greek priests.Mitchum's true job, the officer with whom he spends his evening in a cabaret, Lisa's arrival at the nunnery, Mitchum's secret presence in Athens, the benevolent and useful pawnbroker are random items in a zany, aimless plot. Heisler and Lisa are supposed to reveal puzzling depths. The actors who embody them are the most deluded of the cast. If the comic book intrigue is derisory, the melodrama is sick. Aldrich earned himself a spanking.Yet somehow, Mitchum alone manages to be likable, with his coolness, nonchalance and handsomeness, in this hallmark of phoniness and unbelievable nonsense. I wrote Mitchum alone, but I should mention also Elefteria, played by the yummy Gia Scala. And there's also a 3rd actor.Goring, as colonel Oberg, does an enjoyable role as an eerie sickly officer, outspoken, who complains about the leader's campaigns and about his own shattered health, a role wasted on this formless silliness.Cabot is the fat pawnbroker, Th. Bikel is Tassos (a comic book henchman of the Gestapo); like Goring as the hypochondriac colonel, they seem to believe they act in a comedy. The plot is so childish, unconvincing and thoughtless, that it could of been an instinctive choice of subverting it. The drollest scenes belong to E. Muller and Baker, as Lisa and Heisler, both with delusions of fine acting; on the other hand, Mitchum misread Heisler, who, though from a nation bent on killing an entire other nation, shows unexpected largeness, so he's not the heartless wretch his enemy supposes him to be. Mitchum's outburst of anger when he finds out about Lisa's story and kids is his critique of the movie, at least of its plot.

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bkoganbing
1959/07/31

The Angry Hills casts Robert Mitchum as an American foreign correspondent embedded to use today's terminology with the British troops who are evacuating Greece after the German invasions blitzkrieg catches them flat footed in the summer of 1941. The Germans were invading to pull their Italian ally's chestnuts out of the fire as the Italians got bogged down in the Balkans. This took needed troops from their Russian invasion and in my personal opinion it was the point where Hitler started losing the war.But who knew that then. Mitchum comes into possession of a list of underground contacts and the Nazis in the person of SS Colonel Marius Goring and Gestapo head Stanley Baker spend the entire picture covering both Athens and the countryside in search of him. Neither Baker or Goring are too squeamish in their methods. I think the film might have been better had Mitchum been a bit more interested in the project. According to Lee Server's comprehensive biography on him, he was most indifferent. For the usual reasons with him he was on the film simply for a Greek vacation. The supporting players took up some of the slack and the ones to watch out for are Baker and Theodore Bikel. Especially Bikel he was truly hateful as Nazi collaborator who pimps out his sister to Baker who has her children as hostages. The sister is Elizabeth Mueller who in turn is pimped out to Mitchum to draw him into a Nazi trap.Bad or mediocre pictures never prevented Mitchum from having a good time. Server's book tells a rollicking story of Mitchum and Stanley Baker matching drinks with Mitchum a clear winner. Baker was no slouch in the hell-raising department, but apparently he was outclassed.

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whpratt1
1959/08/01

Always liked Robert Mitchum in most of his films and for some reason did not view this late 1950's film. This film is suppose to take place in Greece during the year 1941 and is occupied by the lunatic Nazi forces. Robert Mitchum,(Mike Morrison), is an Army officer who manages to somehow get involved with some very secret information that can help the underground forces in Greece to destroy the Nazi strong holds during WWII. Mike Morrison meets up with a Greek gal and becomes romantically involved with her along with an other young gal who is very confused about what to do with her children. It is rather long and drawn out and at the same time, Robert Mitchum seemed very bored with his role and gave very little enthusiasm. The film wound up being very boring and way too long. The Nazi officer in charge was always sick and complained about not having a PULSE !

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