Shocking Dark (1989)

This movie starts with the same scene as in Aliens when the Marines awake and dress themselves. The movie follows the same storyline as Aliens with some changes until half of the movie. We got copies of the evil company, Marines, Ripley and even the surviving girl is there. Only the andriod that in Aliens was friendly, is replaced by the version in Alien but he does the same stuff as the guy the company sends along who locks Ripley and the girl in a room with an alien. Ow, this also happens in this movie. Only it's not set out in space but in Venice where the water was so polluted it became toxic and people started to mutate.The monsters are really laughable, moving around like senior citizens yet being able to sneak up unto people. It's like they just walk up to the soldiers of the Megaforce and manage to kill them off.Then all of the sudden the andriod starts to act like the T-800 from Terminator 2 and the movie changes to Terminator 2 entirely and they finish the movie in an epicly bad way. That part I will not spoil so watch this turd in screen and be amazed!

I love watching horror movies. Good, bad, it doesn't matter. It is rare indeed that you find a horror movie that is so bad you can't watch it through to the end. Don't worry, I'm not writing about one of those. Instead this review is for the Severin release of SHOCKING DARK, a movie made in Italy by folks that obviously went to the movies.Let's just say up front that this movie is a complete rip-off of ALIENS with a touch of THE TERMINATOR thrown in for good measure. More than that, it's a rip-off of those movies with a budget that may have matched a days' worth of catering on the real films. Yes, it is low low budget and it shows. Venice, Italy, has a waste problem in their canals. A company is called in with a method of cleaning the city up but something goes wrong and the city is laid to waste in waste. Worse yet a team of scientists who were there to start a new project cleaning the city have gone missing and all communications with them are down. The decision is made to send in the Marines. Not just any Marines but a group that call themselves Mega Force (no relation to the Megaforce group led by Barry Bostwick in the movie of the same name). The members of the Megaforce resemble the same team that was there in ALIENS, most notable Geretta Geretta as Koster who looks like Jenette Goldstein as Private Vasquez down to the near identical headband and Haven Tyler as Dr. Sara Drumbull who looks a lot like Sigourney Weaver as Ripley down to similar attire. The same blowhard camaraderie exists with this group as in the other film as well.The team is outfitted with the latest tech to help them do their job. Which while in the future looks exactly like the shotguns we have today. For protection they have what looks like plastic forearm covers held in place with elastic straps. They do have some fancy threads though with yellow puffed out pieces on their armpits. Once equipped they're sent in to find out what happened and to rescue the information found on site as well as any survivors. Going along for the ride is a humorless representative of the Tubular Corporation, the company responsible for the cleanup, named Fuller. The team doesn't want him along but has no choice. With all systems in the facility down, their only means of communication with the main base is radios. I did say this was in the future, right?Once in place things begin to go horribly wrong. It turns out those in the facility were exposed to a DNA agent that altered their physiology changing them into monstrous creatures that pop out of nowhere and begin killing off the Marines. Along the way they come across a young girl (can you say Newt ALIENS fan?), the daughter of the man left in charge who helps them access the computers. And eventually SPOILER ALERT we discover that Fuller is not there to do what he claimed and is actually a robotic agent working for Tubular. Shades of the Terminator!When released the movie came out in some places as TERMINATOR 2 and in others as ALIENATORS hoping to cash in on the success of those films the movie is not a tribute to either. Instead it is yet another movie made by director Bruno Mattei, the Italian director known for working in various exploitation genres and for basing many of his films on those already made. If you go in knowing this up front the odds of having fun with the movie greatly increase.So let me start with the good. To begin with Severin has done an amazing job with this movie, presenting it in the cleanest looking format possible, a hi-def blu-ray release scanned in 2k from the Director's cut negative discovered in a Rome lab vault that looks gorgeous for being such a low budget film. To be clear, the print is gorgeous not quite the movie itself. The use of locations and the monsters on view, what little we see of them, is pretty good considering this was before the days of CGI. And if you watch the film as more something worth laughing at than taking seriously it plays fairly well. The gore effects are small in quantity but not bad. Onto the bad and there is a lot of that. The acting here is some of the most horrendous you'll find. Lines are read as if they pulled people off the street to perform them. Even the leads are terrible here speaking lines like they're reading them from a page for the first time. When people yell excitedly you expect them to read that word as well like "Captain come here he said excitedly!" The sets, while looking good, look like someone had a friend who worked at a power plant who let them in the back door at night to shoot the movie. If someone told me these were sets made for the film I would demand they prove it. Scenes in the main base when they communicate via radio with the team sound like the man in charge saying his lines and someone off to the side yelling their responses back using a megaphone. Outdoor scenes have the Vaseline smeared lens look to them. The dialogue as written is lame. And the way they throw everything into the film from two others is hilarious. Another SPOILER ALERT. Near the end of the film Dr. Drumbull and the young girl find another room in the Venice facility that has a time machine they use to escape Fuller. Except ala the Terminator he goes back in time as well. That time machine gizmo was a pretty convenient item to have on hand at a genetics lab eh?Now, with all the bad I've just listed I have to say this. The movie is fun. No it's not Oscar material and probably not even worth qualifying for the Razzies since they focus on movies meant to be good. This one is another in a long line of Italian exploitation films made to make a buck by hanging onto the coattails of more successful films. They're fun and sometimes silly and sometimes referred to as Euro-trash flicks. They're movies meant to be watched and enjoyed and not taken too seriously. And for many they're movies now to sit at home and create drinking games around.I've noted before that there have been a huge number of movies made over the years and many have been lost due to zero effort to retain them in safe storage or having been neglected and falling prey to vinegar syndrome where they simply deteriorate. ALL films should be preserved in one format or another to be enjoyed or looked at from an historical aspect, no matter what the subject matter, quality or the fact that they were exploitative in nature. There are people who long to see those films again remembering them from their childhood having seen them as second features at drive-ins, on pay cable stations or on late night TV. Judos to Severin for taking the time to make this one a decent release rather than a slapped together DVD offering. They've even gone so far as to include a few extra items like TERMINATOR IN VENICE an interview with co-director/co-screenwriters Claudio Fragasso and co-screenwriter Rosella Drudi, ONCE UPON A TIME IN ITALY an interview with actress Geretta Geretta (who some will remember from the movie DEMONS and alternate Italian titles for the film. If you're a fan of Italian horror films, Eurotrash films, the films of Bruno Mattei or just all around fun horror movies that shouldn't be taken too seriously then you need to see this one. The fact that Severin made it so watchable just adds to this release. Watch it, know what you're going into beforehand and have some fun with it.

When modern directors 'pay homage' to something, they kind of put a respectful twist on an existing idea, but when Bruno Mattei (sadly no longer with us) 'pays homage' to something, it means he rips everything off wholesale and recreates it almost line for line, only with less money, bad acting, bad special effects etc etc. I've got to admit that he's a law unto himself and has balls so big I'm sure he had to carry them around with him in a wheelbarrow.Shocking Dark is total and utter plagiarism. Utterly, without a doubt. So much so that I'm not sure if there's some kind of post-modern ironic intent behind it. Was Bruno (and let's not forget Troll 2 director Claudio) taking the mickey? Or what? Who knows, but Shocking Dark is a scream. Sometimes a scream of sheer enjoyment, sometimes a scream of pain.For those that ain't read about it anywhere else, the initial film that this rips off is Aliens. A squad of marines and a chick adviser are sent into Venice to see what's happened to some scientists. They find cocooned people. They are attacked by monsters. They find an almost feral girl. They have tracking devices. One of them is a cyborg. The girl and the chick bond and get locked in a room with a monster. On and on and on it goes until your jaw just gives up and takes root on your chest.Scenes are created almost word for word ('Momma says monsters don't exist, but they do don't they?'), but the difference is that Bruno either doesn't have the money or has embezzled it and still has to deliver the film, so everything is filmed in a large factory or somewhere and the acting is so terrible that the 'newt' character had my ears bleeding with her screaming.Where's the enjoyment in this, you ask? Well, it's a Bruno Mattei film, so all those elements he's stolen are diluted and all the boring stuff in Aliens is thrown out of the window. The good stuff is still there, albeit in a weird, off-beat, loony Mattei way. The film isn't long and it seems even Bruno gets bored when he stops copying Aliens and starts doing a Terminator rip off instead.There are many layers to Bruno Mattei films but whether or not they are really there we'll never know. He did say that anyone who liked his films was an idiot, and I guess in the end he had the last laugh on just about everybody, outliving Fulci, Margherriti, D'Amato etc and still making films right up until he died.This is recommended only to those who know exactly what to expect - and thanks to the fella who sent me it.

I think it's hilarious that this movie is actually called "Terminator II"! This just shows how unscrupulous and shameless Italian exploitation directors were during the late 80's when unleashing their films upon unsuspecting cinema lovers! The real "Terminator II", with Arnie Schwarzenegger, was probably already in a much advanced stage of production around the time of this movie's release, but these guys didn't care and went ahead naming it "Terminator II" all around the world, except in the USA. I think it's even more hilarious that this "Terminator II" is basically more of blatant imitation of "Aliens", with just a bit of "Terminator" thrown in near the finale. The cast and crew probably thought something like: "Hey, if we're going to upset James Cameron, we better do it right and imitate two of his films at once". Maybe it's just my twisted mind, but all this epitomizes the methods of the Italian exploitation cinema during the late 80's. They went extremely far in ripping off Hollywood box office hits only just to drain the formula entirely and make the maximum of easy money out it. I love it. To the avid fans of this kind of trash cinema, it really shouldn't come as much of a surprise that "Terminator II" was directed by Bruno Mattei; here under his favorite pseudonym Vincent Dawn. Mattei's life mission was to rip-off as much successful SF-horror classics as humanly possible and he literally continued to do so until his death a couple of years ago. Mattei often imitated one and the same movie several times, like John McTiernan's "Predator". Although I sadly haven't seen Mattei's entire repertoire just yet, I think it's safe to say that "Terminator II" ranks amongst his utmost bonkers achievements. The plot is a hodgepodge of borrowed ideas including slimy mutant monsters, corrupt global corporations, cyborgs, toxic cities, time-traveling and secret experiments. By the year 2000, the once beautiful city of Venice has become an uninhabitable wasteland. The water is heavily polluted and the entire city is covered by a thick toxic cloud. For some reason that must have escaped my attention, a specially trained troop of solider and scientists go back in assignment for the dubious Tubular Corporation. Samuel Fuller, representing the corporation, is clearly up to no good and one of the female scientists recovers an orphaned girl in an abandoned lab, exactly like Ellen Ripley found Newt in "Aliens", although unfortunately this girl isn't a mute. There's not the slightest bit of coherence or logic in the screenplay, but that doesn't matter too much, as clearly Bruno Mattei's sole intention was to copy the successful James Cameron flicks as much as possible. The stereotypical rough and tough soldiers are like exact clones of the characters in "Aliens" (like the loud-mouthed Bill Paxton, butch lady Jenette Goldstein and good Samaritan solider Michael Biehn) and multiple situations are even identical copies to the ones in "Aliens", like when the women are trapped in a sound proof laboratory with a monster and the villainous Fuller discretely turns off the safety cameras or when the remaining soldiers are counting down on their radar how fast the monsters are approaching. "Termintor II" is great trashy and cheesy fun and comes warmly recommend, but of course only if you have a high tolerance for gratuitous Italian exploitation rubbish. And if you can find it, too, as the film is really quite obscure.