The Body Stealers (1969)

An investigator is called in to look into a strange scenario where parachutists seem to be disappearing mid-air during military training exercises. Their bodies do turn up later, but are infected with large doses of radiation. A mysterious and beautiful woman who cannot be photographed seems to be connected to the bizarre case.This bit of low-budget British sci-fi was improbably made by the production company Tigon, who have become rightfully famous for their impressive 17th century set horror films Witchfinder General (1968) and Blood on Satan's Claw (1971). The Body Stealers is quite a bit away from those both in terms of genre and overall quality. It is a pretty obviously cheap production all round, which is hardly surprising to be fair but it is really a quite limited feature in all departments. The story does have some potential in the early stages but it doesn't really pan out too excitingly and the resolution wasn't all that good. It has something to do with aliens, but it would only be fair to say that it is bargain basement extra-terrestrial activity we have here. I would still say this is pretty watchable, however, and does have a certain British 60's charm to it. Despite the lacking nature of the screen-play, it was an okay watch. Also, look out for a rare acting performance from Neil Connery (Sean's brother) as one of the military types - you can see the resemblance from some angles. Another notable presence was Hilary Dwyer who made a very good impression in the earlier aforementioned Tigon classic Witchfinder General (1968) - she was not as memorable here but it was still nice to see her all the same.

An extremely lacklustre and slow-moving British alien invasion film of the 1960s. There were quite a few of these low-budget movies coming out around this time – stuff like INVASION, THE EARTH DIES SCREAMING, THE NIGHT CALLER – but THE BODY STEALERS is by far the worst I've seen. The budget is so poor on this one that literally nothing happens for 90% of the running time.For the most part we're stuck with jut-jawed wooden leading man Patrick Allen, following him around as he romances blonde women and barks gruff lines of dialogue at anybody who'll listen. Neil Connery pops up to support him, George Sanders is the cameoing veteran, and Robert Flemyng (THE BLOOD BEAST TERROR) lurks around in a natty uniform.The story, when you see it down on paper, actually sounds fairly interesting: parachutists are disappearing mid-air, zapped away by aliens, with only their suits and chutes arriving on the ground. Other than some footage of skydiving, this doesn't actually equate to much, and Allen's investigation into the disappearances goes absolutely nowhere.Of course, the women of the era are lovely and the film is fairly well shot given the paucity of its production budget. But there's no action, a real dearth of imagination, and rarely any special effects, and all of these are musts for a good science fiction movie. This boring outing is the worst Tigon film I've seen yet.

The tale of paratroopers who disappear, literally, into thin air, this film is an odd watch forty years later. It's primary interest lies more in what it says about the time, than the film itself.Released in 1969 three influences loom large.The year that Man first landed on the moon it reflects a fascination with, and fear of, what might lie in outer space. Militarily we were also in the midst of the Cold War when anything unexplained, and potentially evil, automatically raised the question of Communist involvement. And finally James Bond was the dominant screen character, and his shadow falls long here in more senses than one.Veteran, square jawed character Patrck Allen, bulldozes his way through the role of an expert,Bob Megan, called in to solve the awkward problem of disappearing parachutists. One extraordinary scene speaks volumes for the Bond "character" and perceptions of women at the time. Megan chances upon a scantily clad beauty enjoying enjoying a solitary moment taking in the evening and then makes advances on her which vacillate between sexual assault and rape. No sooner is he introduced to a shapely scientist in a pencil skirt than she too is subjected to his clumsy male machismo which in the 21st century looks appalling.Of course both women come back for more. When he IS offered sex on a plate by the blousey, but ageing, hotel owner he rebuffs her to reinforce yet another sexual stereotype, the ageing temptress who can't get it because she has had it.The Bond theme is further explored by the presence of Sean Connery's brother Neil, as Megans sidekick John Radford, in one of only two screen performances. Bearing a strong resemblance to Sean, his acting talents are strait jacketed by a preposterous script.A dreadful ending combines the worst of "Dr Who" and "The Champions", suggesting that a 30 minute running time, rather than three times that, would have suited all concerned somewhat better. A hopeless film, but a fascinating sixties curiosity.

It is Patrick Allen, not George Sanders, who is the playboy.Actors on the way down (George Sanders, Maurice Evans), an actor who never really had much of a career (Neil Connery--Sean's brother), and working actors treading water (Patrick Allen, Robert Flemyng).The film is indeed a big snooze, with meager science-fiction trappings and a disinterested cast going through the motions.Aliens kidnap skydivers to repopulate their plague-stricken planet. Theater owners probably had to kidnap patrons! Originally on a double bill with THE BLOOD ROSE, a French production advertised as 'the first sex- horror film.'Shelagh Fraser ("Mrs. Thatcher") appears as Aunt Beru in STAR WARS.