Song of the Islands (1942)

Jeff Harper (Victor Mature) has been sent by his father to bargain for some prime cattle land....in Hawaii. While the cattle industry was big on some of the islands, why folks from the continental US would want a piece of this action is confusing. Regardless, Jeff arrives on the fictional Hawaiian island of Ahmi-Oni with his friend, Rusty (Jack Oakie). The first thing Jeff sees is Eileen (Betty Grable) and he's hooked but thinks (??) that she is a native and doesn't understand English (despite being VERY blonde). Soon he's in love and seems to have forgotten about his business...and soon Dad arrives to try to get talks back on track. Who will win out in the end? The love-struck son or the business-minded dad?This film is a pleasant and lightweight bit of entertainment. The songs are mostly a distraction as big production numbers seem to have nothing to do with island life...but so it was in the 1940s! The romance is also cute but the best part is the grouchy gather, as George Barbier as one of the best supporting actors of his age when it came to playing old grouches! Enjoyable but slight.

Apart from the fact that Victor Mature gets to act alongside of Thomas Mitchell, and the story is set in Hawaii, there is nothing to commend this film. Some of the Hawaiian characters are Americans made up to look Hawaiian. The characters are one-dimensional, and the story fails to engage the audience at any level.I'm not a Betty Grable fan, but she does look good in a straw skirt, and she has a nice back.The film is shot in beautiful Technicolor, but it is not a masterclass in colour grading.I would advise Mature fans to stay away from this film as it comes nowhere near the quality of 'Samson and Delilah'.

No wonder Clark Gable was hesitant to star in a film('Call of the Wild') with notorious scene stealer Jack Oakie as his sidekick. Jack really hams it up in this one with his nonstop clowning and occasional songs: a complete vaudeville entertainer!. If you like Jack, you'll like this early Technicolor escapist fare. He's joined at times by veteran comedic heavy Billy Gilbert, as the crude wild-looking cannibalistic father of the luscious Hawaiian girl Jack is romancing. Problem is, a matronly-looking native woman(Hilo Hattie) is very hot for Jack and he's not interested. She eventually does a song and dance number, serving in the combined roles of Charlotte Greenwood and Carmen Miranda in the standard Fox formula for Grable/Faye/Blaine musical comedies. This is followed by an all female native song and dance routine headed by Betty. Meanwhile, beefcake leading man Victor Mature is romancing and fighting with Betty . As a non-singing/dancing, non-comedian, he has little else to do. Also, the fathers of Betty and Victor initially are at each other's throats over the ownership of a key bit of land on this small island. In the end, all is forgiven and all the Caucasian principals join at the finale for an encore rendition of the theme song 'Sing me a song of the islands'.Plenty of music and comedy dispersed among the heavier stuff. Probably, Jack has more screen time than either Betty or Victor. A native male singing group also interacts with Jack. Betty's singing and dancing is pretty limited. Too bad this film is so rarely shown on TV and is not available on DVD. We really could use a Jack Oakie Collection to showcase his now under-appreciated entertainment talent. He was a significant presence in several other Fox musical comedies, including:'Tin Pan Alley', 'Hello, Frisco, Hello' and 'The Great American Broadcast' Too bad he was never in one of those films including Carmen Miranda. I think those two would have made a dynamite comedic pair.

I never thought that this was one of the better Grable pictures and as I am taking a break from re-watching it for the first time in a decade I still hold to that original opinion.The film has, if possible, too many character actors - Thomas Mitchell, George Barbier, Jack Oakie, Billy Gilbert, Hilo Hattie. And there is too much bickering.OTOH, most of the songs are very tuneful, though undistinguished and the Technicolor is, as always, eye-popping.The high points in the film are almost all Grable. If the film had been destroyed after the first reel, it likely would not have mattered because Grable's absolutely gorgeous entry into the film on a small outrigger just off shore of a tropical is breathtaking as is her brilliantly pretty face and figure.And what a figure! All curves and plenty of them, looking delicious in clingy island dresses and hula girl out-fits. What a bundle! 5'4" (As I thought when looking at her while danced barefoot) and she measured in at 34 1/2-24-36 (self-described 1940).She is singing "Sing Me a Song of the Islands" as she heads towards shore with her blonde hair blowing gently in the breeze as she softly offers the song in that vastly under-rated melodious and well modulated beguiling voice of hers. She's radiant with gleaming white teeth and big eyes as she sings the entire song in 90 seconds with the big Technicolor camera slowly zooms in from a medium shot to what becomes a near full lose up if her expressive face, never once breaking away...all in one shot.I had a customer in my video store about 15 years ago who had not seen Song of the Islands since its original release in 1942 and all he remembered all those years was that opening shot of Betty Grable, her hair blowing in the tropical breeze and singing "Sing Me a Song of the Islands". Movie magic! Victor Mature is in the film, too. He looks fine.Hilo Hattie is the Hawaiian version of Charlotte Greenwood in the film; man hungry and doing her eccentric dances and songs.As mention, it is not one of the 'great Grables' of the era, in spite of having the talented Walter Lang, who had directed some of Grable's best films in the 1940.Unfortunately, what ever momentum the film has fairly comes to a halt about 50 minutes into the picture at which time there is little question (if there was ever any) about how the film will wrap up. The pictures weakest tunes are trotted out and Grable's last dance sequence is far from memorable.Jack Oakie, playing Mature's sidekick (and only 39 years old at the time) manages to squeeze in a song and a romance for himself with a pretty island girl even younger than Grable and he and Hilo Hattie have the last laugh in the film. (Oakie frequently seems to get a special moment at the end of the films he is in. He had a big following and was extremely popular with everyone.) All in all...very lightweight stuff. Nice try by all involved. There's better Grables out there.Now I'll go back and rewind the tape and watch that opening island sequence one more time. It's a freeze-framers delight!