Evel Knievel (1971)

This biographical movie opened on Sept. 10, 1971. Evil Knievel was just 32 years old at the time, but already a legend in America and beyond. Just three years later, he would attempt his jump across the Snake River Canyon. More on that later. In dissecting the movie and comparing it to Knievel's real life, most reviewers miss the real point of this film, I think. Knievel was at the peak of his popularity. Every stunt he did was to make money. He had a sense of showmanship about it. And, he had a huge ego. Already he had suffered many of the 300 plus broken bones in his life. He wouldn't be able to work as a daredevil much longer. So, the time was right for a movie on the legend. I don't know how the Knievel and Hamilton connection came about. Surely, Knievel must have provided a lot of information for this film. His background and trouble with the law while growing up in Butte, MT, isn't ignored; but is treated lightly and with a sense of humor. Knievel was known to espouse some values for children – about keeping away from drugs. Whether or not that's how he truly felt, he did in fact issue his warnings in public. It may have been part of his showman persona, but it was effective in helping paint an image of a daredevil hero. Later in life, Knievel assaulted and badly beat an author with a baseball bat. The public soon learned that his private life was far different from his public persona. But this movie is about Knievel's early life and rise to legend status. I think George Hamilton nailed the character in this film. He moves between deadpan seriousness, humor, and anxiety with ease. That must have been how the real Evel Knievel was – in the minds of viewers, but also in the glossy hype about the legend. Sue Lyon and Bert Freed do well in their roles. Most of the incidents in the film actually happened. But, how much of the details are fact or fiction – who knows? Now, for the historic jump that took place three years after this film. I remember watching it on TV. I don't recall if it was live (closed circuit) or a news cast, but the program showed Knievel's jump across the Snake River Canyon about five miles east of Twin Falls, Idaho. His cycle looked more like a rocket ship than a motorcycle. It was built specifically for the jump. The canyon at that point was about 1,600 feet across – from edge to edge; but the jump trajectory was 3,500 feet. Kneivel rocketed from South to North and he actually made it across the canyon. But his safety parachute had opened right at lift off and the drag held him up enough that strong northwest winds carried him back over the canyon where he descended to the floor. He came to rest just outside the waters and walked out without a scratch. I've been to the Snake River Canyon jump site. Today, a monument is located there. It's about five miles east of Twin Falls, ID. Take I-84 exit 173 and go south toward Idaho Falls about three miles. Watch for signs at the bridge over the Snake River Canyon. Follow the falls road to the jump site. While there, a visit to Shoshone Falls Park is a must. The falls are very impressive.

I saw this movie in the dollar bin of the grocery store and I couldn't help smiling. I had no idea if it would be worth a sitting, but I discovered to my joy that this film captures the energy and twisted, booze-fueled optimism of 1971 only too well. There is a senior thesis and a kitsch musical trapped in this time capsule. It is both a on-the-spot knowing parody of 70's machismo and a hapless apology for it, a living testimony to a living person.George Hamilton in 1971 didn't seem to know how to act, he swaggered humorlessly and proclaimed, and chewed gum like Burt Reynolds. John Milius and a 90 year old Englishman scripted this, so Evel's lines are filled with references and heightened language that are quite outside the range of a dropout sociopath. And yet this movie isn't dead. It has an intentness, a brio, a sort of-- pertness. It deserves to have eyeballs given to it, over a few sittings, over a few lunch hours, using the DVD feature of your workstation in your cubicle. Go to your supermarket today!

Evel Knievel purports to be a biography of the life of the real Evel Knievel. The movie presents stories and episodes from different periods throughout his life. We see Evel as a young boy in Butte, Montana. We see him grow to become a local hoodlum. We see him meet, date, kidnap, and marry his wife. We see him on his first paying job as a motorcycle daredevil. We see him in the hospital after his horrific crash at Ceasar's Palace. All of this is presented in a series of flashbacks as Evel prepares himself to make a jump over 19 cars.I have no idea how much of what is presented is true. I feel confident, however, that there are quite a few dramatic licenses taken with Evel's life. For example, I sincerely doubt someone could be responsible for two dynamite explosions in the City Hall on the same night and no one notice who was responsible. Don't you think the police might have asked the local dynamite dealer if anyone had recently made a purchase? I sincerely believe Evel would have spent a considerable amount of time in prison if this episode of his life, as presented, were true.The "Tan Man", George Hamilton (who also produced the movie), plays Evel. And while he may bear no resemblance to the real man, he does a decent job copying Evel's walk and speech pattern.While the movie is not great, there are a couple of moments in the film that make it worth watching at least once.

Even though as a kid growing up in the 1970s I thought Evel Knievel was, along with Bruce Lee and Bill Bixby as "The Magician", one of the coolest guys on the planet, I'd for some reason never seen this biopic. Boy, watching this now is a trip! It's a mess of a movie really, but fascinating just the same. Firstly you have the oddball casting of George Hamilton as Knievel. Okay, it maybe isn't as left field as him playing Hank Williams, but it's still very odd. Secondly, Evel comes across as a real idiot, giving long winded egotistical speeches, slamming 'Easy Rider' and those "weirdos" for "giving bike riding a bad name". Thirdly, as an actual biography it's useless. We learn nothing about his life or how he became a stunt rider, let alone WHY he did what he did. Instead you get some utterly preposterous flash backs which include Evel kidnapping his future wife, robbing a store and even City Hall (with dynamite!), making you think you're watching some kind of proto-'Confessions Of A Dangerous Mind'! Hamilton gives a very unnatural, mannered performance, and the supporting cast includes Sue Lyon ('Lolita') as his wife Linda, Bert Freed, who was in everything from 'Paths Of Glory' to 'Whatever Happened To Baby Jane?' to 'Billy Jack', made the same year as this (he's the guy who says "We got the law here, Billy Jack"), plays his long suffering doctor, and Peckinpah regular Dub Taylor has a nice bit towards the beginning as the promoter who gives Evel his first break at a rodeo. 'Evel Knievel' is in many ways an awful movie but 1970s heads will get a kick out of it. You either dig these kind of Drive In exploitation movies or you don't. If you do, check this one out, it's a hoot!