Rocky Mountain (1950)

Errol Flynn's last western is a fine one. The story begins near the end of the Civil War. Confederate soldiers led by Flynn are sent to California to recruit more men. But that mission is sidetracked when the men spot a stagecoach under attack by Indians and rush to help. They soon find themselves stranded on Rocky Mountain, along with Union hostages, as they await an Indian assault.This is a pretty underrated western. I didn't give it a chance for years simply because it was one of the movies made later in Errol Flynn's career and a lot of those depress me. It helps that this is in black & white, so the effects Flynn's lifestyle had taken on him aren't quite as noticeable as his color movies from the same period. It also helps that Flynn's character is supposed to be beaten down by the war. The movie has a simple story but it's told effectively with good performances and an elegiac quality about it that you might not expect. It's better than average for what is basically a cowboys vs Indians tale. Flynn's leading lady in this film, Patrice Wymore, would become his third and final wife in real life. It's a nice cast with some colorful characters actors like Guinn Williams, Howard Petrie, Chubby Johnson, Dickie Jones, and Slim Pickens in his film debut. Jones has a nice monologue about meeting Robert E. Lee. It's a fitting end to Errol Flynn's western career. Definitely one his fans will want to see.

Errol Flynn was a great actor and he could save useless script or poor film. THis one is nothing unusual - typical western of Civil War times, with all the impossibly trite clichés - Indians, rocks, horses, lady in love, long talks, terribly poor pavilion shots, bravura music, sped-up battles, silly faces and caricature evil men. Then, there are impossibly handsome heroes and very valiant fervent soldiers who fight and die. OK, but here the film comes too close to a comedy and even farce, and the poor play of some younger men makes it almost a joke. The real nature is very good, and this alone saves the film, as well as Flynn's delivery. The Indians are shown typically - blood-thirsty villains on horses and with no wits at all. The film is mostly slow, sometimes too languid and even boring. Battle scenes are very usual and the bad montage made them, ahem, not so sad, but rather unappropriately funny. This is only for old Hollywood fans, not any one else

I saw this film for the first time more than fifty years ago. In Brazil it was known as "Olhando a morte de frente" which the best translation I can come up with is "Looking straight ahead at Death". Even though I was a child I enjoyed it greatly and could not stop talking about it after. Seeing it again yesterday I realized how good this film is nowadays, of all Flynn' s westerns it is the one that less aged. The quality that only a big studio like Warner could provide makes most of the modern westerns pale in comparison. Great cinematography in black and white, great music by Max Steiner, great performance of Flynn, excellent actors like Slim Pickens. It is surprising why this film was never released before, and why it did not get the positive critical approval it deserved.

This movie has a few surprises that make it far better than one might expect from a "forgotten film".What I was surprised most about was the directing, which comes across as almost an homage (or "rip-off", if you're cynical) to the great John Ford. What Mr. Ford did for Monument Valley, William Keighley tries to do for Gallup, New Mexico. And, for my money, he does an extremely respectable job of it. The scenery is really beautiful, and all the more dramatic due to the fact this is shot in black and white. There are some great angled shots, clever compositions, and the director does well with the action sequences.The screenplay dispenses with all the heavy-handed messages and over-the-top, unfunny comedy sequences one might find in a Ford film, and aims its sites on a human drama of confederate soldiers on a mission who are forced to go to Plan B, C, and D in order to not only complete their mission, but to get two Yankee civilians to safety in spite of entanglements with Union soldiers and Indians on the war path. I agree with another IMDb reviewer who commented on the middle of the film dragging, and the suspense that should have been building never quite gets a full head of steam, but there are some really nice moments that make it worth sitting through the few dull spots. And I must admit to being utterly shocked by the ending...I really never saw it coming...which made the final moments in this film extremely poignant.For it being 1950, I was stunned to find so many real and honest performances. There was none of that obnoxious "Studio Acting" where everyone is chewing scenery and pretending to be their character...everyone in this movie WAS the character they were playing. Errol Flynn is one of my all-time favorites and his restrained performance here was wonderful. This was my first time seeing Patrice Wymore on screen and I really enjoyed her performance...it could have easily become an annoying, whiny, shrill character, but Ms. Wymore made some very nice acting choices and created a believable character. The supporting cast is all solid, but three must be mentioned as stand-outs: 1) The great Chubby Johnson as the stage driver has a small but wonderful role. You might not know his name, but you'll know his face and voice immediately...one of the all-time great Western character actors. 2) A very young Slim Pickens has a wonderful role and proves himself the master horseback rider he was in real life. Great riding, great acting, and pure fun to watch. 3) The real surprise here for me was young Dickie Jones. What an absolute pleasure he was. And, in my opinion, he steals the movie away from all of the far more experienced and well-seasoned actors. He is genuine and earnest throughout, with a great monologue in the middle of the film that sucked me right in and made me believe. He was absolutely wonderful in the part and it's a shame he quit the business to go into real estate...I really think he might have had an Oscar in his future had he continued making movies.This is not a perfect film by any means, but with strong performances, beautiful scenery, and interesting direction, this "John Ford Lite" Western has enough going for it to make up for any of its shortcomings. It's a real tough movie to find, but if you run across it, I sincerely believe it is worth a viewing.Hope you enjoy!