America America (1963)

a masterpiece. about a reality who remains contemporary. about the roots of success. about family. and, sure, about the image of America, this image more powerful than the reality. it is unfair to say why it is a great film. because, behind the image, the impeccable script, the portrait of the lead hero and his struggle to be a successful man , ignoring each detail against this desire, it is a form of poetry of the East , bitter, sad, sandy, cold. the need to escape from yourself. result, a great movie. like fresco of the self definition of an entire world.

We forget our roots and the origins of others but this film will nicely remind you of the beginning of may Americans and how they came to this land of the free. First of all one must dream of something greater and for tens of millions of people America was that dream. This is nicely portrayed in this movie as we focus on one family and its one family member that caught the liberty and freedom gene and never let go no matter what came to take it. Today, 3 generations of Americans have forgotten what a privilege it is to be born here and to come here because they are here and have forgotten the contrast which keeps you humble and appreciative for what we tend to take for granted every day. There are a few poignant scenes that will excite emotions as well as a satisfying ending bringing closure to the point made in the movie. Get to America at all costs because whatever it cost is worth it if only everyone could see and have this. Many who came here were so overwhelmed with the experience (for the good) that all they could say or think of was I want all of family back home, wherever that was, to come here and see for yourself. The movie covers that too. We also learn that without passion, life is cheapened and with passion, life has meaning. Next time you go for a burger and fries, or to a movie or a park, give a moment to where you are and why and how beautiful it is to not only be here but to have that "here" in your heart. Good movie for sunflower or pumpkin seeds munching with a tasty drink. Sandwich works too. Take note of America's nick-name: Oh beautiful

In this biographical look at an uncle's journey to America that would eventuate in his own arrival in the new land, director Elia Kazan warmly and somewhat ineptly plods it out in America, America. Slowly paced, repetitive and morosely performed it flounders a great deal of the way as Kazan attempts but fails to turn lead Starvos Gaillias into the Greek Dean with an endless parade of long pauses in overlong scenes. The result is one slow mostly low key show.Repressed by the Turks in their own country Starvros is chosen by the family Patriarch with the family fortune to get them out of their predicament and is sent off to Constantinople to invest in a rug business with a relative. Innocent that he is he is quickly exploited and exposed to the cruel world at large of unsavory characters and systems. Befriended and betrayed he is soon destitute but eventually works his way into a situation that upon marrying the owner's daughter will set him up for life. It's all very tempting but America remains the brass ring for him and things on the domestic front dissolve and he returns to pursuing that dream.At three hours in length America, America's grinding rhythm never attains much of a pace. Gaillias in the lead is all stare little emotion and incapable of stretching never mind even approach the thespian talents of a Brando or a Dean. Kazan gets around this by having his other characters perform over the top to his flat demeanor in which he is supposed to convey introspection and intent to reject the Old World but it fails miserably as Gaillias performance is bordered somewhere between comatose and zombie. Save for John Marley, the vaunted director of actors shows little of it here.Almost as distracting is the cinema verite style of Haskell Wexler's cinematography which seems terribly out of sync with Kazan's classic framing of powerhouse actors. Without either , America, America's sloppily meanders amid Kazan nostalgia and his inability to say cut to a project he was perhaps too close to craft with the artist's eye.

While I am not sure I'd consider this to be Elia Kazan's best film, it certainly ranks up there with his best--which is saying a lot considering he's the same guy who brought us "On The Waterfront", "A Streetcar Named Desire" and "Rebel Without a Cause". As for Kazan himself, this was his favorite film as it's the story of his uncle--a man who busted his butt to get himself to America around the turn of the century.When the movie begins, Kazan himself narrates and explains that the story is about the man who is responsible for him and his family immigrating to the US. His story begins in Turkey. It's around the time in history when the Turks were about to wipe out most of the Armenians--and things for other minorities in their land (in this case, the Greeks) weren't very good either. So, a family decides to send their oldest son, Stavros (Stathis Giallelis), to Constantiople to earn his fortune--and to be able to afford to eventually bring them all to America...and freedom. Stavros is a very, very determined man...but also quite naive. Again and again, he's used by people and left with nothing. But, he's an amazingly resilient guy and soon he's willing to do just about anything to make the money he needs to take the ship to America.While the story is rather simple, it's handled exquisitely. You can really tell that it's a labor of love, as the story unfolds very slowly and patiently. This is NOT a complaint-just a statement about the writer/director's style in the movie. It's really great what he was able to achieve with mostly inexperienced actors and non-actors. Perhaps Giallelis' performance is a bit too quiet and even stilted...but it is hard to imagine that he wasn't even an actor! Overall, it's a beautiful tale--and one of the most American of movies because it tells a story of immigration that most of us in the US can relate to. Even though my family was not Greek, so much of the rest of the film is pretty typical of what other poor families like my own probably went through on their way to a new land. Well worth seeing and a nice history lesson.