The King Murder (1932)

Evidently, this movie was based on the unsolved 1923 murder of showgirls Dorothy King. King needs $5,000 to pay off her ex- boyfriend and tries to blackmail one of her current wealthy customers into giving her the money. Conway Tearle plays the detective in charge of the investigation who just happens to be in love with the wife of one of his friends; a friend who later becomes a suspect. Tearle is unbelievably wooden in his performance as is Natalie Moorehead in her role of the wife. The best part of the movie is the interesting way a young couple establishes an alibi for the time of the murder - that was clever. And the murder method was kind of interesting. But other than that it's a bit of a slog to watch all the way through. A mildly interesting period mystery but not memorable.

It's a remarkable fact that some of the "B" directors like Richard Thorpe adapted to sound much faster than acclaimed "A" leaders like John Ford and Howard Hawks. Thorpe's Border Romance (1929) is very competently made indeed, and in this 1932 production he could still give some of the masters a keen lesson in pacing. Indeed, the first two reels move with such celerity that the average viewer needs to be really on his toes to keep up with the plot. And at this stage it's worth paying attention, because the sultry Dorothy Revier is right up there on the screen. When she is killed, the pace slows somewhat when the focus shifts to Marceline Day (who is too rake-thin for my taste) and plodding-as-she-goes hero, Conway Tearle. Nonetheless, the mystery is still intriguing enough, and Thorpe makes good use of Universal's standing sets to give the movie a bit of class. Natalie Moorhead is exotic enough to command a bit of interest, and an outstanding cameo by Rose Dione also helps. Alas, as usual in many of these Poverty Row thrillers, the solution to the mystery is somewhat contrived. Also disappointing is the revelation of the actual killer. In fact the whole climax is a letdown. One gets the impression that the producer ran out of money at this stage and simply wound the film down. Curtain!

This is about philandering. It has at the center, a gold digger who is using planned extortion to get what she wants. She sets herself up, leaving little choice among her victims. Of course, the men are truly culpable and deserve much of what they get. The conclusion is pretty far fetched. If you are old enough to own a phonograph (turntable) you will get my point. The bad guys are depending a lot on some pretty random incompetence. This is interesting and has a few twists and turns, so it's not bad, but the conclusion is unsatisfying. The character of the young woman is pretty well portrayed and the acting isn't too bad. Still, it could have been better with a little more imagination.

Another low-budget item distributed by Chesterfield Pictures. This one is a dull murder-mystery with Dorothy Revier as a gold digger who ends up murdered. Plenty of suspects with plenty of bad acting and cliché goings-on. But there is that murder weapon (a poisoned record needle)! And when Frazer is outed as the murderer, he confesses, then poisons himself with the needle! Star Conway Tearle plays the dogged inspector. Stock music on the soundtrack. And, lastly, co-star Marceline Day, so effective and fetching as Buster Keaton's love interest in 'The Cameraman' is neither in this film. She is rather plain-looking and her acting is terrible. A shame.