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Retribution

Retribution (1987)

October. 01,1987
|
5.9
|
R
| Horror

After a depressed artist miraculously survives a suicide attempt, a series of horrific murders leads him to realize he may have been possessed by the vengeful spirit of a murdered gangster.

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Leofwine_draca
1987/10/01

RETRIBUTION is a low budget and rather gruesome horror film of 1987, given a splendid DVD presentation by the team at Code Red. The story is nothing special and sees Dennis Lipscomb's mild-mannered protagonist being possessed by the spirit of a gangster which causes him to go on a supernatural killing spree. It's one of those films where you end up twiddling your thumbs in between the kill scenes, but the gory special effects are imaginatively used and there are some bizarre highlights here, which I won't go into. I did find Lipscomb to be a rather creepy character even before the supernatural stuff takes place and the budget isn't perhaps quite up to the job at times, but this is reasonable fare for horror fans.

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udar55
1987/10/02

Starving artist George (Dennis Lipscomb) decides to end his life by jumping off his apartment building on Halloween night. As he lays dying, his body receives the spirit of a man who shares his birthday and is killed at the exact same time (confused?). He lives and the spirit takes over when George goes to sleep and seeks retribution on folks who burned him alive (Freddy who?). Of course, his psychiatrist Dr. Curtis (Leslie Wing) thinks he's crazy and Lt. Ashley (Hoyt Axton) thinks he is the killer. This is a pretty solid horror flick that I liked even more watching it now than back in the 80s. You can hear the filmmakers whisper, "It is like ELM STREET, see?" (the burned villain even looks like Freddy), but writer-director Guy Magar does enough to make it stand apart. The only misfire is a visit to one Doctor Rasta, a Rastafarian voodoo doctor. Oh, and lots of 80s neon. Was it really that prevalent? Lipscomb, looking like a nerdy Christopher Walken, is an interesting choice for a leading man and I like that casting. On the technical side, there is lots of great camera work and some interesting use of lighting. The gore appears to be cut, but is still plentiful. Magar cut his teeth on TV work and this was his first feature. He went on to do THE STEPFATHER III, which I also thought had great cinematography, and one of the CHILDREN OF THE CORN sequels.

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gridoon
1987/10/03

Solid B-movie with OK performances and slam-bang special effects. This is one of those neglected little thrillers that set out not to offer anything new to the genre, but at least to give fans of those movies their money's worth. And this one generally seems to know its business (although it does get a little too loud near the end). (**)

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Christopher T. Chase
1987/10/04

Manic depressive artist George Miller snaps one Halloween night, decides he wants to end it all and jumps from the top of the inner-city fleabag motel he calls home. Across town, small-time gangster Vito Minelli finds out the hard way, what happens when you don't pay off your gambling debts, as his vengeful cronies blow out his kneecaps, then douse him in gasoline and set him on fire.Somewhere between life and death, George's and Vito's lives intersect, and both will be changed forever. This is not a good thing for George, and even worse for Vito's assailants, as they will each discover to their horror and dismay...As low-budget supernatural thrillers go, RETRIBUTION manages to strike a nice balance between the yen of those horror fans who like character-driven stories, and the gorehounds who like to see "folks git blowed up real good." TV and movie vet Dennis Lipscomb, who very rarely gets to carry a picture, delivers a scary and sympathetic performance as the troubled George. He has the chameleonic ability to disappear into his character, which is both a blessing and a curse to the best character actors. They make it look so easy, most people don't even consider what they do to be "work," and that's the trouble.Another out-of-print, hard-as-hell-to-find but worthy entry into the B-movie hall of fame.

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